Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo by Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel Song Details

"Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo" by Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel had its release date on February 13, 2026. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet, Op. 64". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo by Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -23.641 dB
Acousticness: 93%
Danceability: 26%
Energy: 10%
Instrumentalness: 92%
Liveness: 13%
Loudness: 61%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Romeo and Juliet, Op.64 - Act 3: At Friar Laurence's Cell - Interlude	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	F Major	0	7B	101 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	C Major	3	8B	106 BPM
Hungarian Rhapsody No. 2 in C sharp minor, S.244	Franz Liszt, Michele Campanella	D♭ Major	1	3B	101 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Prélude to the Afternoon of a Faun	Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra	C Major	9	8B	85 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
Masquerade Suite: Romance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B♭ Minor	1	3A	176 BPM
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo	Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall	F Major	1	7B	60 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic	C Minor	1	5A	79 BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	A Minor	1	8A	82 BPM
Strauss II, J: Frühlingsstimmen, Op. 410	Johann Strauss II, Hallé, Bryden Thomson	B♭ Major	0	6B	103 BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	5	4B	149 BPM
Romeo and Juliet, Op. 64 - Act 2: Meeting Of Tybalt and Mercutio - Duel - Death Of Mercutio	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	A Minor	2	8A	106 BPM
A Night On The Bare Mountain	Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano	D Major	1	10B	102 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	155 BPM
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2	Franz Liszt, Vladimir Horowitz	D♭ Major	3	3B	80 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	2	9B	90 BPM
Finlandia, Op. 26	Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales	A♭ Major	2	4B	70 BPM
VII. Death of Tybalt	Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton	D Major	1	10B	104 BPM
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko'	Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint	F Major	0	7B	65 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	F Major	2	7B	95 BPM
Swan Lake - Prelude	London Philharmonic Orchestra	B Minor	0	10A	85 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo	C Minor	1	5A	82 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM