"Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio" by Tylman Susato, L'Arpeggiata, Christina Pluhar had its release date on 2004. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di Anima, et di Corpo, Intermedio: Pass e Medio by Tylman Susato, L'Arpeggiata, Christina Pluhar is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zappay [lo campo] | Capella de Ministrers, Carles Magraner | C Major | 3 | 8B | 115 BPM | ||
| Joie, plaisance et douce nourriture | Guillaume de Machaut, Emmanuel Bonnardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 2 | 2A | 89 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
| Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
| Danseryes: Ronde Warum | Tylman Susato, Musica Antiqua, Christian Mendoze | D Minor | 3 | 7A | 115 BPM | ||
| Musick's Delight on the Cithren, Restored and Refined: John come kisse me now | John Playford, Baltimore Consort | G Major | 1 | 9B | 80 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Recercare: Racercare | Francesco Spinacino, Shirley Rumsey | B♭ Major | 0 | 6B | 141 BPM | ||
| Galliard (Arr. for Violin by Edward Huws Jones) | Tylman Susato, Alexandra Wood, John Maul, Frank Mizen, Christopher Norton | D Major | 0 | 10B | 94 BPM | ||
| La zanetta padovana | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 71 BPM | ||
| Cantigas de Santa Maria: Maravillosos e Piadosos | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | C Major | 2 | 8B | 121 BPM | ||
| Suite I: Pavane Passamaize I | Claude Gervaise, Christian Mendoze | F Major | 2 | 7B | 130 BPM | ||
| Passamezzo per la O | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 116 BPM | ||
| Lo vegio per stasone | Antonio da Cividale, Ferrara Ensemble, Crawford Young | F Major | 0 | 7B | 79 BPM | ||
| Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | ||
| Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
| La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
| Dansereye (1551): Bergerette 'Dont vien cela'/Reprise | Tylman Susato, New London Consort, Philip Pickett | G Minor | 0 | 6A | 151 BPM | ||
| Le cuer est bon (à 3, à 4) - Reprise (à 4 (Arr. Thorby)) | Claudin de Sermisy, Tylman Susato, Musica Antiqua of London | C Minor | 5 | 5A | 113 BPM | ||
| L'aspido sordo | Donato da Cascia, La Reverdie | C Major | 1 | 8B | 88 BPM | ||
| Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
| A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
| Delight pavan (Arr. For 2 lutes) | John Johnson, Ronn McFarlane, William Simms | F Major | 1 | 7B | 119 BPM |