"12 Preludes: VIII. Preludio VIII" by Raffaele Bellafronte, Alessandro Deljavan had its release date on September 28, 2022. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 12 Preludes: VIII. Preludio VIII's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Bellafronte: Piano Sonatas, 12 Preludes by Raffaele Bellafronte, Alessandro Deljavan. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of 12 Preludes: VIII. Preludio VIII is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Preludes: VIII. Preludio VIII by Raffaele Bellafronte, Alessandro Deljavan is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Galactic Silence | Astrid Voix | C Minor | 2 | 5A | 99 BPM | ||
| Balleto | Manuel Ponce, Gerardo Díaz de León | A Major | 2 | 11B | 126 BPM | ||
| Trois Pièces pour Violoncelle et Piano: No. 1 Moderato | Nadia Boulanger, Isang Enders, Sun-Wook Kim | E♭ Minor | 0 | 2A | 113 BPM | ||
| Âmes d'antan | Sylvain Luc, Marylise Florid | A♭ Major | 2 | 4B | 163 BPM | ||
| Piazzolla: Suite del Ángel: III. Muerte del Ángel (Transcr. Walnier for Cello Ensemble) | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | C Minor | 2 | 5A | 99 BPM | ||
| Cello Sonata No. 6 in A Major, G. 4*: II. Adagio | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
| Despuntando el vicio | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Guitar Suite No. 2: III. Toccata | Peter Scott Lewis | A Minor | 1 | 8A | 81 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): III. Arioso | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 76 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | C Minor | 2 | 5A | 99 BPM | ||
| Ritmo En Las Cuerdas | Leonard Maraiz | E Minor | 2 | 9A | 108 BPM | ||
| Sketchbook, Op. 2: Oh, that we two were maying (arr. J. Lloyd Webber for 2 cellos and piano) | Ethelbert Nevin, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | G Major | 1 | 9B | 83 BPM | ||
| Gabriel Fauré Après Un Rêve | Josef Karlicek, Petr Karlicek | C Minor | 2 | 5A | 99 BPM | ||
| Agape - Two Cellos at Dusk with Electronics | Fulvia Mancini, Mr & Mrs Cello | G Minor | 3 | 6A | 108 BPM | ||
| Toward the Sea: No. 1, The Night | Toru Takemitsu, Irene Kalisvaart, Britta Jacobs | D Minor | 0 | 7A | 67 BPM | ||
| Sarabande grave | Antonio Bertali, Bernhard Hofstötter | F♯ Minor | 1 | 11A | 77 BPM | ||
| Suite No. 1 for Cello & Guitar: II. Histèrico | Raffaele Bellafronte, Duo Escualo | E Major | 2 | 12B | 108 BPM | ||
| Seven Nuggets: IV. Rough Diamond | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Gentle | Samson Leptos, Duo Bergerac | A Major | 3 | 11B | 137 BPM | ||
| Suite de los Buenos Aires: I. Preludio y Nanita | Claudia Montero, Alena Walentin, Niklas Johansen | E Major | 0 | 12B | 92 BPM | ||
| Ludvig's Dreams (Domestic) | Ola Kvernberg | C Minor | 2 | 5A | 99 BPM | ||
| Saudade (When We Are Born) | Gian Marco Ciampa | C Minor | 2 | 5A | 99 BPM | ||
| アンダンテ (ピアノ・ソナタ K.381より) | Wolfgang Amadeus Mozart, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM |