"9つのバガデル Ⅳ.アンダンテ" by B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) had its release date on July 25, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in モルト・トロンボーン, so we believe that "9つのバガデル Ⅳ.アンダンテ" is a single. 9つのバガデル Ⅳ.アンダンテ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 9つのバガデル Ⅳ.アンダンテ by B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 二つの悲しき旋律: 第2曲: 過ぎし春 | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| 組曲 第5番 ホ長調 HWV430 Air (With 5 Variations; 'Harmonious Blacksmith') | George Frideric Handel, 中野振一郎 | E♭ Major | 3 | 5B | 69 BPM | ||
| Fugue in Cm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | F Major | 0 | 7B | 132 BPM | ||
| Suite on Romanian Themes IV. Danza for Marimba, Vibraphone & Piano | Maya Badian, Mircea Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| Pieza en D Major, WKO 186: I. Allegro | Carl Friedrich Abel, Pere Ros | D♭ Major | 2 | 3B | 151 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSII): VI. Variation 4 | Ernst Krähmer, Claudio Ferrarini | F Major | 0 | 7B | 132 BPM | ||
| Moz-Art für zwei Violinen (Nach dem Fragment KV 416d) | Alfred Schnittke, Clarissa Bevilacqua, Larissa Cidlinsky | F Major | 0 | 7B | 132 BPM | ||
| Cello Suite in G Major, Op. 131c, No. 1: II. Adagio | Max Reger, Guido Schiefen | F Major | 1 | 7B | 90 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | F Major | 0 | 7B | 132 BPM | ||
| Theater on The BEDs - for violin piano duo | Shiuan Chang, William Wei, Evan Wong | A♭ Major | 0 | 4B | 148 BPM | ||
| 9つの小品 Ⅵ. 夜明け | B. バルトーク, 東京メトロポリタン・トロンボーン・クァルテット, 小田桐寛之(トロンボーン), 古賀慎治(トロンボーン), 井口有里(トロンボーン), 井上順平(トロンボーン) | B Major | 0 | 1B | 91 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: I. Largo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 4 | 7B | 115 BPM | ||
| Elegy No. 2, "Romanza Drammatica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 127 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| 妖精の踊り | Christoph Willibald Gluck, Hitomi Niikura | B Minor | 1 | 10A | 83 BPM | ||
| エレジー | Gabriel Fauré, アリソン・エルドリッジ, 秋元彬江 | A♭ Major | 1 | 4B | 97 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Le Carnaval des Animaux: VIII. Le cygne | Camille Saint-Saëns, Jascha Heifetz, Brooks Smith | A♭ Minor | 1 | 1A | 112 BPM | ||
| 組曲(ピアノのための組曲 作品14より) Ⅰ.アレグレット | B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) | B Major | 0 | 1B | 69 BPM | ||
| 9つのバガテル 『14のバガテル』Op.6より 第5番 | B. バルトーク, ザ・ブラス・ゼクステット, 福田善亮(トランペット), 高橋敦(トランペット), 松崎裕(ホルン), 小田桐寛之(トロンボーン), 秋山鴻市(バス・トロンボーン), 渡辺功(テューバ) | F Major | 1 | 7B | 137 BPM | ||
| Inversion of Variation 15 (Canone alla quinta) from Bach’s Goldberg Variations, BWV 988 | Chiyan Wong | D Major | 0 | 10B | 112 BPM | ||
| 44の二重奏より 第42番 アラビアの歌 | B. バルトーク, 川崎雅夫(ヴィオラ), 店村眞積(ヴィオラ) | B♭ Major | 2 | 6B | 74 BPM | ||
| 9つの小品 Ⅲ. ソステヌート | B. バルトーク, 東京メトロポリタン・トロンボーン・クァルテット, 小田桐寛之(トロンボーン), 古賀慎治(トロンボーン), 井口有里(トロンボーン), 井上順平(トロンボーン) | F Major | 0 | 7B | 75 BPM | ||
| トロイメライ Op.15-7(シューマン) | Robert Schumann, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM |