On March 22, 2017, the song "Chandani Chaudas Ri Hai Raat" was released by Rajendra Vyas. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Rajendra Vyas's "Mataji Ro Singhasan" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Chandani Chaudas Ri Hai Raat's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chandani Chaudas Ri Hai Raat by Rajendra Vyas to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Banke Bihari Lal Teri Jai Hove | Acharya Mridul Krishna Goswami | F♯ Minor | 7 | 11A | 76 BPM | ||
| Karle Tu Shiv Ki Bhakti | Kishan Bhagat | D♭ Major | 8 | 3B | 160 BPM | ||
| Itni Kripa Sanware Banae Rakhna | Rakesh Kala | F Minor | 7 | 4A | 80 BPM | ||
| Araj Laga Le | Sanjay Mittal | F♯ Major | 7 | 2B | 124 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Shyam Tharo Naam | Sanjay Mittal | D Major | 5 | 10B | 149 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Aaj Mangalvar Hai Mahaveer Ka Vaar Hai | Rakesh Kala | C Major | 7 | 8B | 95 BPM | ||
| Na Rol Maiye | Nitesh Garla | B Minor | 9 | 10A | 112 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Meri Pehchan Sawarye Tere Naam Se | Reshmi Sharma | A Minor | 9 | 8A | 150 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Gyaras Ki Hai Raat - Rajasthani | Rajendra Vyas | D Major | 5 | 10B | 96 BPM | ||
| Sakhi Dekh Shyam Shingaar | Rajendra Vyas | D Minor | 8 | 7A | 90 BPM | ||
| Shyam Baba Ko Shringar Man Bhave | Sanju Sharma | F Major | 8 | 7B | 95 BPM | ||
| Kanhaiya Le Chal Parli Paar | Kumar Vishu | F Minor | 9 | 4A | 106 BPM | ||
| Mharo Helo Suno Ramapeer | Rajendra Vyas | F♯ Minor | 9 | 11A | 121 BPM | ||
| Nachna Mohan De Naal | Naresh Narsi | B♭ Minor | 8 | 3A | 120 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Govind Tumhare Charno Me | Ranjana, Parul | D♭ Major | 6 | 3B | 110 BPM | ||
| Khilona Maati Ka (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | F Major | 9 | 7B | 178 BPM | ||
| Gali Gali Elaan Hona Chahiye | Shubham Rupam | G Major | 6 | 9B | 93 BPM |