"Octagonal Room: IV. Quarter Note = 54" by Lars Hegaard, Jesper Sivebæk, Alba String Quartet had its release date on March 19, 2021. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Octagonal Room: IV. Quarter Note = 54 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Octagonal Room: IV. Quarter Note = 54 by Lars Hegaard, Jesper Sivebæk, Alba String Quartet having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhapsody No. 1, BB 94a: Prima Parte 'Lassu': Moderato | Béla Bartók, György Pauk, Jenő Jandó | D Minor | 0 | 7A | 101 BPM | ||
| The 4 Winds: III. West | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | E Major | 0 | 12B | 137 BPM | ||
| 3 Poèmes d'Arthur Rimbaud: No. 2, Veillées | Lars Hegaard, Signe Asmussen, Jesper Sivebæk | C Minor | 0 | 5A | 118 BPM | ||
| Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
| She's Slender Like a Plane-Tree (Arr. for String Quartet by Sergei Aslamazyan) | Komitas, Bechtler Ensemble | E♭ Major | 1 | 5B | 62 BPM | ||
| Romanian Folk Dances, Sz. 56: III. Pê-loc. Andante - Arr. for Violin and Piano | Béla Bartók, Patricia Kopatchinskaja, Fazıl Say | D Minor | 0 | 7A | 147 BPM | ||
| Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
| Haro no Umi (for Violin and Harp) | Michio Miyagi, Gidon Kremer, Naoko Yoshino | A Minor | 1 | 8A | 127 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Fuga Y misterio (arr. José Carli) | Die 12 Cellisten der Berliner Philharmoniker | A Minor | 2 | 8A | 122 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Pavane pour une infante defunte (Arr. P. Kochanski) | Maurice Ravel, Elissa Lee Koljonen, Robert Koenig | G Minor | 1 | 6A | 160 BPM | ||
| Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
| The Cellist of Sarajevo, Op. 12 | David Wilde, Yo-Yo Ma | D♭ Major | 0 | 3B | 79 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| 13 Short Pieces: No. 4, Scorrevole | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | D♭ Major | 2 | 3B | 86 BPM | ||
| String Quartet No. 1: Pt. II | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 86 BPM | ||
| String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | ||
| Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| 1 - 16 | Cello Octet Amsterdam | F Major | 0 | 7B | 124 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Melody | Koji Tamaki, Masami Nakagawa, Tomomi Tsujimoto | F Major | 0 | 7B | 74 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): V. Danza Esdrújula | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM |