"Through the Looking-Glass: I. The Looking-Glass House" by Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens had its release date on June 30, 2023. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wonderland: The Alice Sound by Lee Reynolds, London Symphony Orchestra, Paul Rissmann. The song's track number on the album is #10 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Through the Looking-Glass: I. The Looking-Glass House is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Through the Looking-Glass: I. The Looking-Glass House by Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Through the Looking-Glass: I. The Looking-Glass House being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Contratiempo | Armonias | D♭ Major | 5 | 3B | 121 BPM | ||
| Crumbling Dreams | Orithia | F Minor | 4 | 4A | 147 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| What Do You Do With An Idea?: Then, One Day | Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey | F Major | 2 | 7B | 124 BPM | ||
| Delius: Brigg Fair "An English Rhapsody": Interlude. Slow and Very Quietly | Frederick Delius, Royal Philharmonic Orchestra, Sir Thomas Beecham | F Major | 2 | 7B | 135 BPM | ||
| The Carnival of the Animals: 2. Hens And Roosters | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 1. Prelude (In the King's Hall) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | E Minor | 0 | 9A | 100 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
| Ouvertüre | Hamburg Radio Dance Orchestra | C Major | 4 | 8B | 80 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 6 The Duck Is Caught | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A♭ Major | 1 | 4B | 162 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| Anhelos y Esperanzas | Sirenas Celestiales | F♯ Minor | 2 | 11A | 112 BPM | ||
| Stan and Mabel: 12. The Greatest Song II | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | G Major | 3 | 9B | 66 BPM | ||
| 346 Longe do mal e perto de Ti H5 | CCB Orquestra | A♭ Major | 1 | 4B | 75 BPM | ||
| Gounod: Roméo et Juliette, Act 5: Le sommeil de Juliette | Charles Gounod, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 0 | 8B | 53 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM | ||
| The Sound Of Music: Overture | Oscar Hammerstein II, Michael Reed, Richard Rodgers, Royal Philharmonic Pops Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | A♭ Major | 1 | 4B | 69 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| 旅立ち | Arei | A♭ Major | 3 | 4B | 77 BPM | ||
| Atticus Accepts The Case / Roll In The Tire | Elmer Bernstein | F Major | 1 | 7B | 86 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | A♭ Major | 1 | 4B | 69 BPM |