Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey's 'What Do You Do With An Idea?: Then, One Day' had a release date set for January 9, 2024. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What Do You Do With An Idea? by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman. The song's track number on the album is #10 out of 10 tracks. Based on our statistics, What Do You Do With An Idea?: Then, One Day's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since What Do You Do With An Idea?: Then, One Day by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What Do You Do With An Idea?: Then, One Day being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sound Of Music: Overture | Oscar Hammerstein II, Michael Reed, Richard Rodgers, Royal Philharmonic Pops Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
| Falling In Love Again (Can't Help It) | Tatiana Bookbinder | E♭ Major | 2 | 5B | 99 BPM | ||
| Tirant lo Blanc (Version for Symphonic Band): I. Casament del Rei d'Anglaterra | Joan Lluís Moraleda, Banda Municipal De Barcelona, Salvador Brotons | A Major | 3 | 11B | 124 BPM | ||
| Havana | Emily Loesser | F Major | 4 | 7B | 101 BPM | ||
| Virgo Virginum | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | E Minor | 3 | 9A | 93 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 2 | Sherlock Holmes und Dr. Watson | G Minor | 4 | 6A | 101 BPM | ||
| The Little Green Road to Fairyland: No. 1 ‘Long Ago’ | Elena Kats-Chernin, Ida Rentoul Outhwaite, Camerata - Queensland's Chamber Orchestra, Katie Noonan | D Minor | 0 | 7A | 62 BPM | ||
| Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM | ||
| Escapando Entre Mundos | Sirenas Celestiales | G Major | 1 | 9B | 98 BPM | ||
| Brooks Of Oil & Blood | Danke Timi Briggs | B♭ Major | 1 | 6B | 75 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| Miške, MKČ 101: V. Reversed Recapitulation, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Stan and Mabel: 1. Pets in the City | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | A♭ Major | 2 | 4B | 34 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| The Seasons, Op. 67: VIII. Scene 3, L'Eté | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Alpine Lake | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | A♭ Major | 1 | 4B | 81 BPM | ||
| The Pirates of Penzance or The Slave of Duty: Overture | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 1 | 9B | 132 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| Wonderland Suite: IX. The Queen of Hearts and Finale | Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | A Major | 1 | 11B | 77 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM |