Pinaki Nayak's ' "Jharaka Phankare" was released on its scheduled release date, January 12, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Bhauja Rani by Purna Khuntia. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jharaka Phankare's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jharaka Phankare by Pinaki Nayak is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Tumaku Dekhile Laguchi | Md. Aziz | C Minor | 7 | 5A | 69 BPM | ||
| Om Mahaprana Dipam | Shankar Mahadevan | F Major | 6 | 7B | 79 BPM | ||
| Shyam Baba Ki Jaikar Bolo Ji Bolo | Shyam Singh Chouhan | D♭ Major | 3 | 3B | 168 BPM | ||
| Surya Dev Chalisa | Vipin Sachdeva | E Major | 9 | 12B | 84 BPM | ||
| Shyam Tharo Naam Lage | Reshmi Sharma | D Major | 5 | 10B | 85 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Meethi Meethi Mere Sanware Ki Murli Baaje | Upasana Mehta | F Minor | 7 | 4A | 82 BPM | ||
| Maa Tarini Pakhe Mo Mana | Namita Agrawal | F Minor | 8 | 4A | 170 BPM | ||
| Emiti Bhakata Nahin | Anasuya Nath | D♭ Major | 7 | 3B | 184 BPM | ||
| Murli Chhod De Sanwariya(Holi) | Sanjay Mittal | A♭ Major | 8 | 4B | 94 BPM | ||
| Samaliya Jodi | Mithlesh Sahu | F Minor | 9 | 4A | 157 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Bapa Ghare Jhia | Md. Aziz | C Minor | 9 | 5A | 116 BPM | ||
| Mein Hu Na Kyu Chinta Karta Hai | Pintu Swami Siddharth | B♭ Major | 6 | 6B | 156 BPM | ||
| Jai Maa Nanda Bhagwati | Mukesh Kathait, Meena Rana | D♭ Major | 8 | 3B | 165 BPM | ||
| Bawal Hoge Re | Chhaya Chandrakar, Gofelal Gendle | B Major | 9 | 1B | 81 BPM | ||
| Arati Ki Jay Hanuman Lala Ki | Namita Agrawal, Pinaki Nayak, Dillip Saranghi | F♯ Major | 7 | 2B | 105 BPM | ||
| Tere Haathon Mein | Vipin Sachdeva, Sadhana Sargam | E Major | 6 | 12B | 131 BPM | ||
| Chaal Chanda Dagaliye Per | Seema Mishra, Mukesh Bagda | A♭ Minor | 6 | 1A | 179 BPM | ||
| Ye Maya Teri Bahut Kathin Hain Ram | Manoj Mishra | A♭ Major | 8 | 4B | 80 BPM | ||
| Ietal Peetal Ro Bhar Lyayi Bevdo | Seema Mishra | E♭ Major | 6 | 5B | 96 BPM | ||
| Supalaai Ta Pithi | Preetam Bhartwan | F Major | 6 | 7B | 204 BPM | ||
| Khatuwale O Khatuwale | Sanjay Mittal | B♭ Major | 6 | 6B | 150 BPM | ||
| Jie Badadande | Pinaki Nayak | G Major | 9 | 9B | 172 BPM |