On March 3, 2010, the song "Ghoghanba Ghatama Veli Aay" was released by Kamlesh Barot. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 18 in Chhori Misscall Na Mar by Kamlesh Barot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Ghoghanba Ghatama Veli Aay's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ghoghanba Ghatama Veli Aay by Kamlesh Barot is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vikrambhai Thakor Ni Matashri Ne Bhavbhini Shradhanjali | Hemant Chauhan, Vikram Thakor, Kamlesh Barot | E♭ Minor | 6 | 2A | 102 BPM | ||
| Vayro Nathi Toye | Atul Purohit, Himali, Smita Shah | A♭ Major | 6 | 4B | 125 BPM | ||
| Rangila Shreenathji | Master Rana | C Minor | 6 | 5A | 110 BPM | ||
| Nehado | Jignesh Barot, Kavita Das | G Minor | 9 | 6A | 144 BPM | ||
| Zhani Chamak Vage Ghughardi | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Ganpati Aayo Bapa Riddhi Siddhi Layo | Jemish Bhagat | F Major | 4 | 7B | 131 BPM | ||
| Bewafa Na Geet Na Gavay | Kajal Maheriya, Rahul Nadiya, Ravi Nagar | F Major | 9 | 7B | 124 BPM | ||
| Aaj Mara Mandiriya Ma (feat. Priti Mandalia) | Paras Borkhatria, Priti Mandalia | F Minor | 6 | 4A | 90 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Taro Re Saybo Batav | Hari Bharwad | F Major | 8 | 7B | 98 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Maro Reshami Rumal | Kamlesh Barot | G Major | 8 | 9B | 97 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Rukhad Bava Tu Halvo Halvo Halaje | Suresh Raval, Bhavesh Raval | G Major | 4 | 9B | 152 BPM | ||
| Te To Mathi Mathi Fervi Mala | Kiran Prajapati | F♯ Major | 7 | 2B | 135 BPM | ||
| Radha Maru Daladu Todi Gai | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Mujhe Ram Pyare — Mujhe Ram Dedo | Mukul Dwivedi | A♭ Major | 6 | 4B | 138 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Valam Vadhamana | Baps Swaminarayan Sanstha | F♯ Major | 5 | 2B | 120 BPM | ||
| Maa Pava Te Gadh Thi | Kanu Patel | B♭ Minor | 4 | 3A | 86 BPM | ||
| Are Bewfa Tu Mane Bhuli | Kamlesh Barot | A♭ Major | 4 | 4B | 138 BPM | ||
| Maiya Naam Japle | Rajni Rajasthani | A♭ Major | 7 | 4B | 130 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Bhale Sukh Ave Ke Dukh Meldi Hath Jali Rakhje - original | Naresh Thakor | F Minor | 8 | 4A | 143 BPM |