- BPM
- 125
- Key
- C Major
- Camelot
- 8B
Souvenirs d'enfance: III. Allegro Marcato by Louis Andriessen, Ralph van Raat Song Details
"Souvenirs d'enfance: III. Allegro Marcato" by Louis Andriessen, Ralph van Raat had its release date on March 24, 2024. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 27 in Base by Louis Andriessen, Ralph van Raat. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Souvenirs d'enfance: III. Allegro Marcato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Souvenirs d'enfance: III. Allegro Marcato by Louis Andriessen, Ralph van Raat is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -33.126 dB
- Acousticness
- 96%
- Danceability
- 50%
- Energy
- 0%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem aeternam | Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Chorus, Tõnu Kaljuste | C Major | 0 | 8B | 59 BPM | |
 | Greenwood: Popcorn Superhet Receiver:, Pt. 1 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 1 | 9B | 86 BPM | |
 | Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | |
 | Les Noces, Première partie, Premier tableau: Le départ de la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | |
 | The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | |
 | Ad genua | Anna Thorvaldsdottir, Carolyn Sampson, Choir of Clare College, Cambridge, Dmitri Ensemble, Graham Ross | A♭ Major | 1 | 4B | 91 BPM | |
 | A E I O U | Judd Greenstein, Roomful of Teeth, Brad Wells | G Minor | 3 | 6A | 137 BPM | |
 | Act IV: Bed, Aria | Philip Glass Ensemble | G Major | 1 | 9B | 174 BPM | |
 | Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | F Major | 1 | 7B | 120 BPM | |
 | Chorale | Louis Andriessen, Ralph van Raat | E♭ Minor | 0 | 2A | 99 BPM | |
 | Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | |
 | Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | |
 | Earth Seen from Above | Meredith Monk, Marc Shapiro, San Francisco Symphony Chorus, Vance George | A♭ Major | 0 | 4B | 70 BPM | |
 | Oraison | Olivier Messiaen | E Major | 0 | 12B | 74 BPM | |
 | Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | |
 | September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | |
 | Theatre of the World: Epilogue | Louis Andriessen, Los Angeles Philharmonic, Reinbert de Leeuw | A Minor | 1 | 8A | 132 BPM | |
 | 4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | F♯ Minor | 0 | 11A | 51 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | |
 | Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | |
 | Fantasia in F-Sharp Minor, H. 300 - Performed on Piano | Carl Philipp Emanuel Bach, Alexei Lubimov | B Minor | 0 | 10A | 72 BPM | |
 | Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | F Major | 1 | 7B | 120 BPM | |
 | Hout | Louis Andriessen, Bang On A Can All-Stars | F Minor | 4 | 4A | 97 BPM | |
 | Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM |
- ISRC
- NL3UC2302597
- Label
- L-M Records/RCA Records