Raghunath Manet's ' "Râgâs du soir: Ninnenammitinayya / Solo de percussions" was released on its scheduled release date, 1996. This song appears to be safe for all ages as it is not explicit. The track order of this song in Raghunath Manet's "Music & Dance" album is number 6 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Râgâs du soir: Ninnenammitinayya / Solo de percussions is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Râgâs du soir: Ninnenammitinayya / Solo de percussions by Raghunath Manet to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chinathayami Devesam | Sreevalsan J. Menon, Prakash K Varma | D Minor | 6 | 7A | 140 BPM | ||
| Brindabani Sarang | Buddhadev DasGupta | G Minor | 5 | 6A | 92 BPM | ||
| Kavadi Chindu - Sindhu - Ekam | Aruna Sairam | F Minor | 6 | 4A | 179 BPM | ||
| Raga Nilambari - Gat in Vilambit Ektaal | N. Rajam, Zakir Hussain | B Minor | 3 | 10A | 130 BPM | ||
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Raga Pilu - Taal Dadra | Shahid Parvez, Faiyaz Hussain Khan | D♭ Major | 3 | 3B | 94 BPM | ||
| Bhavayami Goralabalam | M. S. Subbulakshmi, Radha Viswanathan | A♭ Major | 5 | 4B | 148 BPM | ||
| Bhasurangi Bale | Sreevalsan J. Menon, Edappally Ajith Kumar, Balakrishna Kamath, Kalamandalam Balaraman, Kalamandalam Rajnarayanan, Tripunithura Krishnadas | C Major | 5 | 8B | 133 BPM | ||
| Alaipayudhey | Jayanthi Kumaresh | C Minor | 4 | 5A | 80 BPM | ||
| Evarura: Mohanam - Misra Chapu - Thyagaraja | Tyagaraja, N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Muruganin Marupeyar (Instrumental) | Anjani Srinivasan | A♭ Major | 5 | 4B | 136 BPM | ||
| TALKINGWOOD | Aldo Brizzi, Raghunath Manet | B♭ Minor | 8 | 3A | 150 BPM | ||
| Vathapi - Hamsadwani - Adi | Rajhesh Vaidhya | G Major | 8 | 9B | 92 BPM | ||
| Shivânjali: Tamil patam, Patari varugudu | Raghunath Manet | B Major | 1 | 1B | 104 BPM | ||
| Brova Bharama - Instrumental | Prakash Sontakke | C Major | 6 | 8B | 90 BPM | ||
| Toronto (Canada) 1989 - Tintal | Zakir Hussain & Dudhadev Dasgupta | B Minor | 8 | 10A | 178 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Kolaru Thiru Pathigam | Shantha Ranganathan | D Major | 7 | 10B | 87 BPM | ||
| Raga kirvani : Pallavî | L. Subramaniam | B Major | 6 | 1B | 166 BPM | ||
| Sri Ganapathi | A. Kanyakumari | F Major | 8 | 7B | 107 BPM | ||
| Bhoopali | Sounds of Optimism, Deepesh Sanmal | E Major | 3 | 12B | 85 BPM | ||
| Raga Mian Ki Malhar | Bismillah Khan | D Major | 4 | 10B | 99 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | C Major | 3 | 8B | 171 BPM | ||
| Pullanguzhal | Kalaimamani Prabhavathi Ganesan | B♭ Minor | 6 | 3A | 91 BPM | ||
| Bhatiyali - Based on : Pahadi Jhinjhit | Bidyut Khan Band, Lucyan | B Minor | 4 | 10A | 103 BPM |