François Couperin, Josef Ulsamer, Laurenzius Strehl, Christiane Jaccottet's 'Les goûts-réunis, Concert No. 12 à 2 violes ou autres instruments à l'unisson: III. Lentement et pathétiquement' had a release date set for January 1, 1976. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 59 in Couperin: Nouveaux Concerts by François Couperin, Thomas Brandis, Heinz Holliger, Aurèle Nicolet, Josef Ulsamer, Laurenzius Strehl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les goûts-réunis, Concert No. 12 à 2 violes ou autres instruments à l'unisson: III. Lentement et pathétiquement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les goûts-réunis, Concert No. 12 à 2 violes ou autres instruments à l'unisson: III. Lentement et pathétiquement by François Couperin, Josef Ulsamer, Laurenzius Strehl, Christiane Jaccottet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Platti: Cello Concerto in D Major, WD 650: II. Adagio | Giovanni Benedetto Platti, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro | B Minor | 1 | 10A | 98 BPM | ||
| Telemann / Arr. Veyron-Lacroix: Flute Sonata in A Major, TWV 41:A3: I. Adagio | Georg Philipp Telemann, Jean-Pierre Rampal, Robert Veyron-Lacroix | C Major | 3 | 8B | 198 BPM | ||
| Concerto Grosso No. 1 in C Minor, Op. 2: I. Andante | Francesco Geminiani, L'Archicembalo | B Minor | 1 | 10A | 39 BPM | ||
| Les goûts-réunis, Concert No. 12 à 2 violes ou autres instruments à l'unisson: III. Lentement et pathétiquement | François Couperin, Josef Ulsamer, Laurenzius Strehl, Christiane Jaccottet | E Major | 0 | 12B | 87 BPM | ||
| Whiskers in Bloom | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 82 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4b, Fugue in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 1 | 9B | 81 BPM | ||
| Frescobaldi: Toccate e partite d'intavolatura, Libro 1: Partite cento sopra il passacagli | Girolamo Frescobaldi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Allegro (b) | Thomas Indermühle | E♭ Major | 3 | 5B | 187 BPM | ||
| Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Julien Barre | F♯ Major | 3 | 2B | 79 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 143 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| A Dream (Arr. for Virginals by P. Gallon) | John Dowland, Pierre Gallon | F♯ Major | 3 | 2B | 79 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed | François Couperin, William Christie, Les Arts Florissants, Patricia Petibon, Sophie Daneman | C Minor | 0 | 5A | 76 BPM | ||
| Concerto Armonico No. 4 in G Major: Da capella non presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 3 | 2B | 108 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Concerto Armonico No. 3 in A Major: Grave sostenuto da capella: Canone di Palestrina - Adagio e forte | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 129 BPM | ||
| Desolate Nights | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Fugue in Bm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | F♯ Major | 3 | 2B | 79 BPM | ||
| Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | ||
| Let God Arise, HWV 256a: I. Symphony. Larghetto - Allegro ma non presto | George Frideric Handel, Arcangelo, Jonathan Cohen | A Major | 5 | 11B | 105 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Var. 12, Canone alla quarta | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | F♯ Major | 3 | 2B | 79 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM |