- BPM
- 106
- Key
- E Major
- Camelot
- 12B
Troisième livre: Chaconne en fa by Jacques Duphly, Christophe Rousset Song Details
Jacques Duphly, Christophe Rousset's ' "Troisième livre: Chaconne en fa" was released on its scheduled release date, October 16, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jacques Duphly, Christophe Rousset's "Jacques Duphly" album is number 2 out of 27. In terms of popularity, Troisième livre: Chaconne en fa is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
We consider the tempo marking of Troisième livre: Chaconne en fa by Jacques Duphly, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -13.782 dB
- Acousticness
- 82%
- Danceability
- 31%
- Energy
- 51%
- Instrumentalness
- 0%
- Liveness
- 35%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 75%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | |
 | Sonata In C Major, RV 779: Largo e cantabile | Gail Hennessy & Nicholas Parle | A♭ Minor | 0 | 1A | 80 BPM | |
 | Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | |
 | Pièces à une et deux violes, Premier Livre, Suite in G Minor: Allemande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | |
 | The Mad lover: Air V (on a ground) | John Eccles, The Counterpoints, Thomas Triesschijn, Petr Hamouz, Aljosja Mietus, Giulio Quirici | G Major | 1 | 9B | 86 BPM | |
 | 18 Sonatas, Op. 2: No. 18, La Savorgniana | Giovanni Legrenzi, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 2 | 12A | 94 BPM | |
 | "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | |
 | 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Harpsichord Suite No. 3 in A Minor: I. Prelude | Élisabeth Jacquet de La Guerre, Daniela Dolci | B♭ Minor | 0 | 3A | 109 BPM | |
 | Recorder Sonata in F Major, Op. 1/11, HWV 369: I. Grave | George Frideric Handel, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | |
 | D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | |
 | Concerto for Harpsichord and Strings in C Minor: I. Allegro assai | Baldassare Galuppi, Arianna Radaelli, La Filarete | B Minor | 4 | 10A | 146 BPM | |
 | Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | |
 | Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | |
 | Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | |
 | Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | |
 | Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | |
 | Partita in A Minor, GWV 150: IV. Rigaudon en rondeau | Christoph Graupner, Geneviève Soly | A♭ Minor | 3 | 1A | 150 BPM | |
 | Pièces de clavecin, Livre III: No. 14, La de Guyon | Jacques Duphly, 西山まりえ | D♭ Minor | 2 | 12A | 94 BPM | |
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
| Le Triomphe de l'amour et l'hymen idylle, parodiée, En musique: Rondeau | Mademoiselle de Fumeron, Sophie de Bardonnèche, Justin Taylor | F♯ Minor | 1 | 11A | 87 BPM | |
 | Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | |
 | Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | |
 | Courante | Antoine Forqueray, Scott Ross | E Major | 4 | 12B | 91 BPM | |
 | In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records