"悲しい歌" by Vasily Kalinnikov, Rika Miyatani had its release date on March 1, 2017. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 音楽の玉手箱 Vol. 1 - カンタービレ -, so we believe that "悲しい歌" is a single. 悲しい歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 悲しい歌 by Vasily Kalinnikov, Rika Miyatani is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
| Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | F Minor | 1 | 4A | 103 BPM | ||
| Symphony No. 1 in E-Flat Major: II. Scherzo. Prestissimo – Trio. Allegro | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 113 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | B Minor | 1 | 10A | 100 BPM | ||
| Symphony No. 2 in A Major: I. Moderato - Allegro non troppo | Vasily Kalinnikov, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 3 | 11B | 130 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | A Major | 0 | 11B | 134 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | C Minor | 0 | 5A | 106 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Detroit Symphony Orchestra, Leonard Slatkin | F♯ Minor | 0 | 11A | 120 BPM | ||
| Ravel: La Valse, M. 72 | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 2 | 9A | 108 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | ||
| 2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 2 | 9B | 72 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale. Molto vivace | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
| Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 79 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 71 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 87 BPM | ||
| Symphony No. 1 in G Minor: IV. Finale. Allegro moderato | Vasily Kalinnikov, USSR Symphony Orchestra, Yevgeny Svetlanov | F Minor | 1 | 4A | 146 BPM | ||
| Gayane Suite No. 2: I. Harvest Holiday | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 4 | 4B | 97 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Ravel: Valses nobles et sentimentales, M. 61: No. 7, Moins vif | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 1 | 9A | 112 BPM |