"Poor Butterfly" by The Manhattan Pops had its release date on September 14, 1960. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Seductive Strings". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Poor Butterfly is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Poor Butterfly by The Manhattan Pops having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vals de las Flores (De la Suite "El Cascanueces") | Gran Orquesta Vienesa | D Major | 2 | 10B | 92 BPM | ||
| Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
| Sobre las Olas | Juventino Rosas, Orquesta Filarmonica de la Ciudad de Mexico, Herrera de la Fuente | G Major | 1 | 9B | 104 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM | ||
| Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM | ||
| No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
| Nola | Liberace | F♯ Minor | 5 | 11A | 184 BPM | ||
| The Blue Danube | The Manhattan Pops | D Major | 3 | 10B | 95 BPM | ||
| Dark Eyes | Andre Kostelanetz & His Orchestra | A Minor | 3 | 8A | 75 BPM | ||
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
| Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
| Malaguena | The Manhattan Pops | C Major | 4 | 8B | 94 BPM | ||
| La vie parisienne, Cancan | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 6 | 9B | 92 BPM | ||
| Luftig und duftig, OP. 206 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | D Major | 4 | 10B | 78 BPM | ||
| Blue Night | Vasiliy Agapkin, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | A Major | 0 | 11B | 75 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Tango: 34 Takte Pro Minute -Tango Isabel | Kurt Edelhagen | C Major | 4 | 8B | 133 BPM | ||
| Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87) | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | D Major | 1 | 10B | 141 BPM | ||
| The Sleeping Beauty, Ballet Suite, op. 66a: Pas d'action | New Philharmonia Orchestra London, Lawrence Siegel | E♭ Major | 1 | 5B | 77 BPM | ||
| Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
| Once In A While | The Manhattan Pops | G Major | 4 | 9B | 85 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM |