"Los Angeles, November 2019" by Edgar Rothermich had its release date on December 11, 2012. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 17 in Blade Runner: Music From The Motion Picture - A 30th Anniversary Celebration by Edgar Rothermich. In terms of popularity, Los Angeles, November 2019 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Los Angeles, November 2019 by Edgar Rothermich is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| Eurovision Force | Edgar Rothermich | E♭ Minor | 9 | 2A | 135 BPM | ||
| Making Water | Harry Gregson-Williams | B♭ Major | 3 | 6B | 116 BPM | ||
| Our Gang Goes To Cyberdyne - Remastered 2017 | Brad Fiedel | E♭ Major | 3 | 5B | 120 BPM | ||
| Obediencias | Universos Terrenales | D Minor | 1 | 7A | 75 BPM | ||
| Macmillan Utility | Paul Haslinger | D Minor | 3 | 7A | 102 BPM | ||
| La Tripulacion | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| Otium | Mark Snow | D♭ Major | 0 | 3B | 63 BPM | ||
| 1.0_6-leavem3here.flac | Mac Quayle | A♭ Major | 4 | 4B | 108 BPM | ||
| A Dark Cold Place | Luca Francini | E Minor | 1 | 9A | 115 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM | ||
| Sigmatauri (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | G Minor | 2 | 6A | 109 BPM | ||
| Casos Especiales | Universos Terrenales | E Minor | 1 | 9A | 125 BPM | ||
| Back On The Crime Scene | Éric Serra | A Minor | 2 | 8A | 45 BPM | ||
| Seventeen | Richard Morgan, Rich Morgan | D♭ Major | 1 | 3B | 70 BPM | ||
| Columnar Basalt | Hello Meteor | D♭ Major | 0 | 3B | 160 BPM | ||
| Final Duty, White Snake Released | Metal Gear Sound Team | F Minor | 6 | 4A | 150 BPM | ||
| Lugares Publicos | Grandes Tardes | E♭ Major | 2 | 5B | 107 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| Reap & Sow | Harry Gregson-Williams | C Minor | 1 | 5A | 160 BPM | ||
| Drifting Away | Edgar Rothermich | C Major | 2 | 8B | 136 BPM | ||
| Main Titles - Bonus Track | Edgar Rothermich | D♭ Minor | 6 | 12A | 118 BPM | ||
| Nadie Sabe Como | Enigma Hermético | C Major | 2 | 8B | 120 BPM | ||
| Opening Credits | Michael McCann | D Minor | 6 | 7A | 90 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM |