On June 10, 1999, the song "Dekha Marelan - Driber Saheb" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tara Rani's "Laar Chuve" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Dekha Marelan - Driber Saheb's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dekha Marelan - Driber Saheb by Tara Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sithniyan | Madan Bala Sindhu | A♭ Major | 5 | 4B | 99 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Babo Panchrang Penchadhari | Gopal Bajaj | D♭ Major | 6 | 3B | 100 BPM | ||
| Ganja Piye | Tara Rani | B Minor | 5 | 10A | 98 BPM | ||
| Kharanch Ghalto Haluhalu | Milind Shinde | G Major | 5 | 9B | 118 BPM | ||
| Kaal Kukadi | Tapsiram Rathod, Kamla Rathod | D♭ Major | 10 | 3B | 112 BPM | ||
| Tere Peechhe Kyon Roolde | Raj Brar | E♭ Minor | 7 | 2A | 117 BPM | ||
| Radha Dhoondh Rahi Kisi Ne Mera Shyam Dekha | Anuradha Paudwal | B Major | 8 | 1B | 120 BPM | ||
| Ambe Ambe Kab Se Pukarun | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 89 BPM | ||
| Khali Peeli Pyar Se | Ila Arun | D Major | 8 | 10B | 98 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Bujhe Na Darad Bhav | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Paithani Nesun Jhayli Tayar | Pandharinath Mhatre, Shakuntala Jadhav | A♭ Minor | 7 | 1A | 81 BPM | ||
| Main Duniya Teri Chhod Chala | Attaullah Khan | E Major | 6 | 12B | 125 BPM | ||
| Champa Chamelie | Dewindersingh Sewnath | G Major | 8 | 9B | 85 BPM | ||
| Bihari ji ke ham ho gye.... | Mukul Dwivedi | C Minor | 10 | 5A | 105 BPM | ||
| Kera Bhusabal Wale | Jittu Khare, Laxmi Singh Thakur | B♭ Minor | 7 | 3A | 88 BPM | ||
| Hum Hi Tara Rani | Tara Rani | B♭ Minor | 5 | 3A | 99 BPM | ||
| Kehri Galti Hoi Ae Zalim | Mansoor Ali Malangi | D Major | 9 | 10B | 108 BPM | ||
| Tere Sare Khat | Harbhajan Mann | A Major | 6 | 11B | 80 BPM | ||
| Sakalchyapari Mukhane Uchchari | Prahlad Shinde | A♭ Minor | 6 | 1A | 88 BPM | ||
| Lusku Lusa Gali Re | Umakanta Barik, RABI RATNA BAG | B♭ Minor | 10 | 3A | 87 BPM | ||
| Motaka Maradawa | Tara Rani | G Major | 8 | 9B | 110 BPM | ||
| Uthau Suruj Bhaile Bihaan | Sharda Sinha | D♭ Major | 5 | 3B | 78 BPM | ||
| Malin Hey Tohse | Tara Rani | D♭ Major | 7 | 3B | 151 BPM |