アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団's 'バレエ音楽「ガイーヌ」より アイシェの踊り' had a release date set for September 18, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 日本ステレオ初期名盤選 - 1 ロシア管弦楽曲集, so we believe that "バレエ音楽「ガイーヌ」より アイシェの踊り" is a single. In terms of popularity, バレエ音楽「ガイーヌ」より アイシェの踊り is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「ガイーヌ」より アイシェの踊り by アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Piú mosso | Gustav Mahler, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | G Major | 2 | 9B | 83 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | E♭ Major | 1 | 5B | 85 BPM | ||
| Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | ||
| Prince Igor: Polovtsian Dances: a. Introduction. Andantino | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Schwanensee, Op. 20: Act IV No. 26: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | B Major | 0 | 1B | 121 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Macbeth, Act III: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | G Major | 2 | 9B | 83 BPM | ||
| Symphony No. 1 in D Major, D. 82: IV. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D Major | 2 | 10B | 133 BPM | ||
| Serenade No. 1 in D Major, Op. 11: II. Scherzo. Allegro non troppo | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | D Minor | 1 | 7A | 68 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Munich Philharmonic Orchestra, Zubin Mehta | C Major | 0 | 8B | 67 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | G Major | 2 | 9B | 83 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 2 | 9B | 83 BPM | ||
| Gayane Suite No. 1: IV. Matsak and Armen | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 6 | 1B | 90 BPM | ||
| 踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM | ||
| 組曲 展覧会の絵, 6. サミュエル・ゴールデンベルクとシュミュイレ (金持ちのユダヤ人と貧しいユダヤ人) | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Firebird Suite (1919): V. Final Hymne | Igor Stravinsky, Kent Nagano, London Symphony Orchestra | A♭ Minor | 2 | 1A | 128 BPM |