On April 12, 2024, the song "Sonate e Partite: No. 24, Allegro (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Sonate e Partite: No. 24, Allegro (Recomposed by Luca Astolfoni Fossi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 24, Allegro (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 24, Allegro (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola Concerto in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 3 | 2B | 131 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Psyche, Act I Scene 1: Entry of Envy | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 4 | 3B | 106 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Overture in G Minor: III. Aria. Presto | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A Minor | 1 | 8A | 67 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Concerto for Violin in G Minor, BWV 1056: III. Presto | Johann Sebastian Bach, Julia Schröder | F♯ Minor | 3 | 11A | 119 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | F♯ Minor | 3 | 11A | 108 BPM | ||
| Concerto Armonico No. 5 in F Minor: Da capella | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 132 BPM | ||
| Mandolin Concerto in G Major: II. Largo | Francesco Lecce, Raffaele La Ragione, Il Pomo D'oro, Francesco Corti | F♯ Major | 2 | 2B | 124 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: I. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Sonate e Partite: No. 67, Prestissimo (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 70 BPM | ||
| Concerto grosso No. 1 in A Major: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
| Sonate e Partite; No. 51, Larghetto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | C Major | 1 | 8B | 71 BPM |