Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer's ' "Suite No. 3 In A: 4. Allemande - Tripla" was released on its scheduled release date, January 1, 2005. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 35 in Danses de la Renaissance by Fritz Neumeyer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suite No. 3 In A: 4. Allemande - Tripla is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 3 In A: 4. Allemande - Tripla by Johann Hermann Schein, Collegium Terpsichore, Fritz Neumeyer is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande | Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | D♭ Major | 0 | 3B | 108 BPM | ||
| Israelsbrünnlein: No. 4, Ich lasse dich nicht | Johann Hermann Schein, Christine Hesse, Friedhelm Rentzsch, Stefan Maass, Dresdner Kammerchor, Hans-Christoph Rademann | G Major | 1 | 9B | 66 BPM | ||
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Peter Kooij, Midori Suzuki, Bach Collegium Japan, Masaaki Suzuki | D♭ Minor | 2 | 12A | 123 BPM | ||
| Canzona per Basso Solo (Arr. J. Vitores) | Girolamo Frescobaldi, José Vitores, Klaus Stoll | G Major | 0 | 9B | 108 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Concerto a 3 voci [Ad pectus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 72 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Salve Jesu, rex sanctorum" | Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort, Jeffrey Thompson | C Minor | 2 | 5A | 90 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Banchetto Musicale, Suite No. 1, V. Allemande - Tripla | Johann Hermann Schein, Accademia Del Ricercare, Pietro Busca | D Minor | 2 | 7A | 107 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Lachrimae or Seven Tears: III. Lachrimae gementes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Dansereye (1551): Den I Ronde 'Pour Quoy' | Tylman Susato, New London Consort, Philip Pickett | G Minor | 0 | 6A | 65 BPM | ||
| Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
| Canzona seconda a 2 canto e basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 144 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Divine lodi musicali, Book 3: No. 39, Sonata à 4 | Giovanni Battista Riccio, Ecco la musica | B♭ Minor | 0 | 3A | 97 BPM |