"Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien, Philippe Roillon, Kammerchor Sofia had its release date on 1994. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #24 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien, Philippe Roillon, Kammerchor Sofia has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act II, Scene 9: La botte! La botte! (Gianciotto, Chorus) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM | ||
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Francesca da Rimini: Giulietta, son io! | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 81 BPM | ||
| Tosca / Act 2: "O galantuomo, come andò la caccia?" | Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Luciano Pavarotti, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| La Cenerentola / Act 1: "Sì, tutto cangerà" | Gioachino Rossini, Michele Pertusi, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
| Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Ewa Podles, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM | ||
| Rigoletto / Act 2: Ella mi fu rapita! | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | G Minor | 2 | 6A | 97 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Giménez: La tempranica: Canción. "Sierras de Granada" | Geronimo Gimenez, Victoria de los Ángeles, Coro de Cámara del Real, Rafael Frühbeck de Burgos, Orquesta Nacional De España | D Major | 1 | 10B | 75 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: Va, non piangere! | Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 132 BPM | ||
| Cavalleria rusticana: Pt. I: Perche m’hai fatto...Voi lo sapete (Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 71 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Puccini: Turandot, Act 2: "Gravi, enormi ed impotenti" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 123 BPM | ||
| Wagner: Lohengrin, Act 2: "Zurück Elsa! Nicht länger will ich dulden" (Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Staatskapelle Berlin | C Major | 2 | 8B | 77 BPM | ||
| Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 | Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Minor | 1 | 12A | 171 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Tosca, Act II: Chi è là? | Giacomo Puccini, Sherrill Milnes, Michel Sénéchal, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | E Minor | 2 | 9A | 71 BPM | ||
| Idomeneo, K. 366, Act I Scene 6: Aria. Tutte nel corso vi sento (Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Elsa Dreisig | D Minor | 2 | 7A | 93 BPM | ||
| Falstaff, Act II: C'è a Windsor una dama | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 131 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM |