- BPM
- 93
- Key
- D Major
- Camelot
- 10B
Francesca da Rimini, Op. 4: Paolo datemi pace! by Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon Song Details
"Francesca da Rimini, Op. 4: Paolo datemi pace!" by Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon had its release date on August 12, 2022. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 16 in Arias by Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon, Amilcare Ponchielli, Georges Bizet, Giuseppe Verdi, Umberto Giordano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Francesca da Rimini, Op. 4: Paolo datemi pace! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Francesca da Rimini, Op. 4: Paolo datemi pace! by Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -21.344 dB
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 9%
- Instrumentalness
- 4%
- Liveness
- 13%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | |
 | Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | |
 | Adriana Lecouvreur - Intermezzo sinfonico | Riccardo Zandonai, Franco Capuana | D Minor | 1 | 7A | 80 BPM | |
| Simon Boccanegra: Act I: Vieni a mirar la cerula (Amelia, Gabriele, Ancella, Pietro) | Giuseppe Verdi, Marina Rebeka, Francesco Meli, Silvia Cialli, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E♭ Major | 2 | 5B | 80 BPM | |
 | La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Cheryl Studer, Sondra Kelly, John Hanriot, Juan Pons, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 171 BPM | |
 | Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | Francesca da Rimini, Op. 4, Act III: E Galeotto dice, "Dama, abbiatene Pietà" | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Benedicte Tauran, Kim-Lillian Strebel, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | |
 | Francesca da Rimini, Op. 4, Act III, Scene 6: Agitato e più mosso - No, Smaragdi, no! (Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova | D♭ Major | 0 | 3B | 76 BPM | |
 | Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | |
 | The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | |
| Francesca da Rimini, Op. 4, Act I: Per la terra di maggio | Riccardo Zandonai, Opernchor des Theater Freiburg, Extrachor des Theater Freiburg, Freiburger Kammerchor, Vokalensemble der Hochschule für Musik Freiburg, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Major | 0 | 10B | 109 BPM | |
 | Giulietta e Romeo, Act I: Ehi! Capuleti! Capuleti! Qua! (Tebaldo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi | G Major | 2 | 9B | 80 BPM | |
 | Trio serenata per violino, violoncello e pianoforte: II. Tempo di valzer | Riccardo Zandonai, Trio Vannucci | E Major | 2 | 12B | 134 BPM | |
 | Puccini: Turandot, Act 1: "Notte senza lumicino" (Coro, Calaf, Pong, Pang, Ping, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 1 | 8A | 98 BPM | |
 | Francesca da Rimini, Act III: E la reina vede il cavaliere (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | E Major | 3 | 12B | 114 BPM | |
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E♭ Major | 2 | 5B | 80 BPM | |
 | Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | |
 | Wagner: Lohengrin, Act 2: "Zurück Elsa! Nicht länger will ich dulden" (Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Staatskapelle Berlin | C Major | 2 | 8B | 77 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | |
 | Donizetti: Don Pasquale, Act 3: "Via, caro sposino" (Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 3 | 8B | 120 BPM |
- ISRC
- DEN962230812
- Label
- L-M Records/RCA Records