"「ホルヴェルク」組曲 op.40より ガヴォットとミュゼット" by フィルハーモニア管弦楽団 had its release date on August 13, 2021. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ベスト・オブ・グレート・コンポーザーズ グリーグ, so we believe that "「ホルヴェルク」組曲 op.40より ガヴォットとミュゼット" is a single. Based on our statistics, 「ホルヴェルク」組曲 op.40より ガヴォットとミュゼット's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 「ホルヴェルク」組曲 op.40より ガヴォットとミュゼット by フィルハーモニア管弦楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| モーツァルト:ホルン協奏曲第1番ニ長調K.412 第2楽章:ロンド | デニス・ブレイン, フィルハーモニア管弦楽団 | C Minor | 0 | 5A | 78 BPM | ||
| モーツァルト:ホルン協奏曲第1番ニ長調K.412 第1楽章:アレグロ | デニス・ブレイン, フィルハーモニア管弦楽団 | C Minor | 0 | 5A | 78 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Der Zigeunerbaron: Overture | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 0 | 8B | 77 BPM | ||
| Symphony No. 4 in F Minor, Op. 36, TH. 27: III. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | C Major | 1 | 8B | 150 BPM | ||
| King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: III. Plaintive Song. Andante | Anatoly Lyadov, Alexander Gauk | A Major | 2 | 11B | 105 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Carmen Suite No.1: Séguidille | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 172 BPM | ||
| Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| モーツァルト:ホルン協奏曲第4番変ホ長調K.495 第3楽章 | デニス・ブレイン, フィルハーモニア管弦楽団 | D Major | 4 | 10B | 185 BPM | ||
| Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse | Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France | F♯ Major | 1 | 2B | 83 BPM | ||
| Explosions Polka Op. 43 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 3 | 5B | 136 BPM | ||
| III. Folk Feast (National Holiday) [Arr. L. Atovmyan] | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | ||
| Rusalka, Op. 114 / Act 2: Slavnosti hudba - balet | Antonín Dvořák, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 3 | 7B | 85 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
| Jeux d'enfants, Petite Suite, Op. 22 WD 56: V. Galop. Le bal | Georges Bizet, Royal Concertgebouw Orchestra, Bernard Haitink | G Major | 3 | 9B | 143 BPM | ||
| Giselle - Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | A♭ Major | 1 | 4B | 116 BPM | ||
| Der fliegende Holländer, WWV 63: Overture | Richard Wagner, Bayreuth Festival Orchestra, Karl Böhm | F Minor | 0 | 4A | 93 BPM | ||
| Eugene Onegin, Op. 24, TH 5: Polonaise. Moderato | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 97 BPM |