Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's 'Holberg Suite, Op. 40: V. Rigaudon. Allegro con brio' had a release date set for January 1, 1989. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar" album is number 13 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Holberg Suite, Op. 40: V. Rigaudon. Allegro con brio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holberg Suite, Op. 40: V. Rigaudon. Allegro con brio by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
| Symphony No. 4 in A Major, Op. 90 "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 1: Introduction. Die Vorstellung des Chaos. Largo | Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 70 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 99 BPM | ||
| Apollon musagète, K48: I. Birth of Apollo | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
| Ma mère l'oye, Ballet, M. 62: II. Danse du rouet et scène | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | B♭ Minor | 0 | 3A | 85 BPM | ||
| La traviata, Act III: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 77 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
| Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
| Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM | ||
| Ein Heldenleben, Op. 40: IV. Des Helden Walstatt "Battle Scene" | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 6 | 5B | 70 BPM | ||
| Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 82 BPM | ||
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
| Symphony No. 5 In B Flat, D.485: IV. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 97 BPM | ||
| Eine Alpensinfonie, Op. 64: II. Sonnenaufgang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A Major | 6 | 11B | 68 BPM | ||
| Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 83 BPM | ||
| Suite No. 2 in B minor, BWV 1067: 7. Badinerie | Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 103 BPM | ||
| L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
| Coppélia, Suite: 5. Ballade | Léo Delibes, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 81 BPM | ||
| Prince Igor: Polovtsian Dances: e. Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: III. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 71 BPM |