Riccardo Muti, Philadelphia Orchestra's ' "Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese" was released on its scheduled release date, March 13, 2006. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Platinum Collection". In this album, this song's track order is #7. In terms of popularity, Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese by Riccardo Muti, Philadelphia Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Wagner: Tannhäuser: Overture | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | E Major | 1 | 12B | 80 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | ||
| Don Carlo*: 'Spuntato ecco il di d'esultanza' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto moto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 128 BPM | ||
| Barcarole (From the Opera "Les Contes D’Hoffmann") | Jacques Offenbach, André Rieu, Johann Strauss Orchestra | B♭ Major | 7 | 6B | 78 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
| Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
| Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
| Semiramide: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | A Major | 1 | 11B | 151 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| Verdi: Messa da Requiem: XVII. Libera me - Dies irae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 88 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
| Thaïs: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
| Siegfried's Funeral March (Featured in "Excalibur") | Richard Wagner, CSR Symphony Orchestra, Bratislava, Uwe Mund | F Minor | 0 | 4A | 83 BPM | ||
| Pavane, Op. 50 (Choral Version) | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
| William Tell: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B Minor | 1 | 10A | 69 BPM | ||
| Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM |