Ohio Light Opera's 'The Mikado: Act One: Dialogue: "There she goes"' had a release date set for November 1, 2008. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 37 in the song's album "The Mikado". In this album, this song's track order is #15. In terms of popularity, The Mikado: Act One: Dialogue: "There she goes" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With The Mikado: Act One: Dialogue: "There she goes" by Ohio Light Opera having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| If I Were the King of the Forest - Complete Tracks with Guide Vocals | Stage Stars | E♭ Major | 4 | 5B | 150 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | F Major | 2 | 7B | 80 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Candide, Act I (Remastered): It Must be So - 2017 Remastered Version | Leonard Bernstein, Robert Rounseville, Candide Orchestra, Samuel Krachmalnick | A Minor | 1 | 8A | 112 BPM | ||
| The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
| Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Major | 2 | 7B | 80 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Brush Up Your Shakespeare | Broadway Cast Recording | C Major | 4 | 8B | 115 BPM | ||
| Szymanowski: Love Songs of Hafiz, Op. 26: No. 7, Drinking Song | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | ||
| The Mikado: Act One, "If You Want To Know Who We Are" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | G Major | 4 | 9B | 126 BPM | ||
| Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
| Broken Souls | wangyaolong | F Major | 2 | 7B | 80 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | F Major | 2 | 7B | 80 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Article | RECUERDO | F Major | 2 | 7B | 80 BPM | ||
| Trial by Jury: "With a Sense of Deep Emotion" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | D♭ Major | 2 | 3B | 116 BPM | ||
| Mine Eyes Have Seen The Glory | London Philharmonic Choir | C Major | 6 | 8B | 110 BPM |