Al Bowlly's 'Dark Eyes' had a release date set for 1997. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Dark Eyes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 25 in Centenary Celebrations by Al Bowlly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Dark Eyes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dark Eyes by Al Bowlly is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| When You Wear Your Sunday Blue | Al Bowlly | E♭ Major | 2 | 5B | 94 BPM | ||
| Where Are You (Girl of My Dreams) | Ray Noble & His Orchestra, Al Bowlly | A♭ Major | 3 | 4B | 101 BPM | ||
| Oh, You Crazy Moon | Bea Wain | A♭ Major | 3 | 4B | 101 BPM | ||
| Waltzing In The Clouds | Victor Silvester and his Ballroom Orchestra | A♭ Major | 0 | 4B | 93 BPM | ||
| Say It Isn't So | Layton and Johnstone, Turner Layton, Clarence Johnstone | E♭ Major | 1 | 5B | 174 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM | ||
| Anything Goes | Lew Stone & His Band | G Major | 3 | 9B | 183 BPM | ||
| If You Want the Rainbow | Lee Morse | A♭ Major | 3 | 4B | 101 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| A Nightingale Sang in Berkeley Square | Anne Shelton | A♭ Major | 3 | 4B | 101 BPM | ||
| All I Do Is Dream of You | Ray Noble & His Orchestra, Al Bowlly | A♭ Major | 3 | 4B | 101 BPM | ||
| It's All Forgotten Now | Al Bowlly, Ray Noble & His Orchestra | D♭ Major | 2 | 3B | 104 BPM | ||
| That's My Weakness Now | Helen Kane | A♭ Major | 3 | 4B | 101 BPM | ||
| After I Say I`m Sorry | Jean Goldkette | G Major | 1 | 9B | 93 BPM | ||
| You and the Night and the Music | Debroy Sommers Band | C Minor | 1 | 5A | 63 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Down Forget-Me-Not Lane | Flanagan & Allen | B♭ Major | 2 | 6B | 103 BPM | ||
| Am I Blue | Annette Hanshaw | F Major | 2 | 7B | 127 BPM | ||
| Dreaming | Al Bowlly | E♭ Major | 2 | 5B | 100 BPM | ||
| Ah Sweet Mystery Of Life | Jeanette MacDonald and Nelson Eddy | G Major | 2 | 9B | 86 BPM | ||
| Indian Love Call | Jeanette MacDonald and Nelson Eddy | G Major | 2 | 9B | 86 BPM | ||
| Night & Day | Ambrose & His Orchestra | B♭ Major | 4 | 6B | 76 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | A♭ Major | 3 | 4B | 101 BPM | ||
| Blueberry | Jimmy Dorsey | F Minor | 2 | 4A | 114 BPM |