Carl Rütti, Hug-Rütti Praxedis's ' "Das Harfenbüchlein: IV. Einst" was released on its scheduled release date, August 9, 2019. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Das Harfenbüchlein: IV. Einst's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Rütti: Works for Harp & Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Das Harfenbüchlein: IV. Einst is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Das Harfenbüchlein: IV. Einst by Carl Rütti, Hug-Rütti Praxedis having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony The Visions of Niklaus von Flüe - Third Vision: VI. The Poor Workers / The Fountain | Carl Rütti, Maria C. Schmid, Martin Heini, Mario Schubiger, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk | E♭ Major | 0 | 5B | 73 BPM | ||
| Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | G Major | 0 | 9B | 130 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| Dowland-Suite: Fantasia | Carl Rütti, B-Five Recorder Consort | A♭ Major | 0 | 4B | 131 BPM | ||
| All Creatures of Our God and King | Laudate Mennonite Ensemble | E Major | 1 | 12B | 105 BPM | ||
| A blessing | Carl Rütti, Christopher Duarte | D Major | 1 | 10B | 169 BPM | ||
| 4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Das Mädchen or Ecce ancilla Domini | Carl Rütti, Christopher Duarte | A Major | 0 | 11B | 133 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| The Mass: Cum Sancto Spiritu | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| King of Glory, King of Peace | David Charles Walker, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | E♭ Major | 1 | 5B | 98 BPM | ||
| O Love - String Ensemble Version | Elaine Hagenberg, Dan Forrest, Craig Courtney, Beckenhorst Singers, Beckenhorst Orchestra | G Major | 1 | 9B | 79 BPM | ||
| Requiem, Op. 9: VII. Lux aeterna | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | G Minor | 1 | 6A | 75 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| Kuuntelen - Live | Aki Yli-Salomäki, Elisa Huovinen | D Major | 2 | 10B | 82 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM |