"Superman M E" by Peter Vronsky had its release date on January 1, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Hollywoodland" album is number 1 out of 14. Based on our statistics, Superman M E's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Superman M E by Peter Vronsky to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Have Yourself a Life | Antony Partos | G Major | 3 | 9B | 119 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| A New Trick | The Prestige | E Minor | 1 | 9A | 72 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| The Thing That Made You | Dan Romer, Benh Zeitlin | G Minor | 0 | 6A | 100 BPM | ||
| Rachael | Martin Phipps | C Major | 2 | 8B | 102 BPM | ||
| Girl Butterfly Girl - song cycle for soprano & chamber ensemble, sung in Hebrew, Op. 4: No. 2, Eyelids | Tsippi Fleischer, Shawki Abi-Shakra, Sasson Somekh, Members of the Moravian Philharmonic Orchestra, Peter Vronsky | B♭ Major | 2 | 6B | 93 BPM | ||
| Ecstasy | Theodore Shapiro | C Major | 2 | 8B | 87 BPM | ||
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | A Minor | 0 | 8A | 93 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| Used to Be Happy | Clint Eastwood | C Major | 0 | 8B | 77 BPM | ||
| Christmas Together | Dario Marianelli | C Major | 1 | 8B | 120 BPM | ||
| Thanksgiving | Joel P West | D Major | 2 | 10B | 100 BPM | ||
| Tear It Down | Mark Isham | C Major | 0 | 8B | 113 BPM | ||
| Letter To Jefferson | Rob Lane | G Major | 2 | 9B | 79 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 2 | 8B | 165 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Packing for the Voyage | Michael Brook | A Minor | 2 | 8A | 82 BPM | ||
| First Sight / Penguins Finale | Benji Merrison, Will Slater | B Minor | 1 | 10A | 144 BPM | ||
| Photo | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Arriving in America | Michael Brook | E Major | 2 | 12B | 141 BPM | ||
| Manchester Minimalist Piano and Strings - Variation | Lesley Barber | E♭ Major | 0 | 5B | 74 BPM |