Rekha Rao's ' "Masti Saath Layee" was released on its scheduled release date, February 1, 2010. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Barse Barse Rang Barse by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Masti Saath Layee is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Masti Saath Layee by Rekha Rao is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shyam Saanwra | Raj Pareek | F♯ Major | 5 | 2B | 114 BPM | ||
| Madhur Rasilo Naam Hamari Radha Rani Ko | Sadhvi Purnima Ji | D Minor | 10 | 7A | 140 BPM | ||
| Mandirva Mein Betwa Tohar | MANOJ TIWARI, Rekha Rao | D Major | 6 | 10B | 89 BPM | ||
| Bhole Tere Dar Pe Chale Ayenge | A-Jay M | C Major | 10 | 8B | 134 BPM | ||
| Mahari Titri | Rekha Rao, Pramesh Premi | B♭ Minor | 9 | 3A | 110 BPM | ||
| Goga Ji Ke Bhakton Pe Masti | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Dinanath Meri Baat Chani Koni Tere Sath | Sanju Sharma | A Major | 8 | 11B | 78 BPM | ||
| Bhav Mere Tere Siwa Kaun Jaan Payega | Pushpendra Chauhan | A♭ Minor | 5 | 1A | 140 BPM | ||
| Dori Khech Ke Rakhijo Ye Hai Baba Ko Nishan | Deepu Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Khatu Shyam | Bhanwar Ali, Ayaan Ali | D Major | 9 | 10B | 105 BPM | ||
| Gajanand Maharaaj Padhro | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 8 | 4B | 87 BPM | ||
| Leta Jaiejiyo Re Rumaal | Rekha Rao, Rekha Raj | E♭ Major | 8 | 5B | 96 BPM | ||
| De De Thoda Pyaar | Lakhbir Singh Lakkha | F Minor | 4 | 4A | 103 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Raja Ji Khajanwa Deda | Pandit Gaurangi Gauri Ji | E♭ Minor | 9 | 2A | 96 BPM | ||
| Gheenad Ramwa | Suresh Wadkar, Om Vyas, Kavita Krishnamurthy, Aparna Mayekar, Anupama, Vinod Rathod, Sanjay Sawant, Satish, Trupti Chhaya, Rekha Rao | A♭ Major | 5 | 4B | 162 BPM | ||
| Mara Sanvariya Ke Note Ganera Thoda Thoda Sab Ne Bate Re | Balkishan Prajapat, Sarita Parjapat | F Minor | 8 | 4A | 144 BPM | ||
| Ran Me Garaj Rahi Re Kalka | Shahnaz Akhtar | C Major | 6 | 8B | 120 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Bolo Bolo Premiyo | Sanjay Pareek | E♭ Minor | 6 | 2A | 94 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Ke Mila Bhole Teri Naar Ban Ke | Rekha Rao | G Minor | 5 | 6A | 100 BPM | ||
| Bol Jaikare Re Bol Jaikare | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM |