Devaki Pandit's ' "Ram Prabhati" was released on its scheduled release date, October 10, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Devaki Pandit, Pallavi Kelkar, Chetna Umarji's "Mangla Prabhati" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Ram Prabhati is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ram Prabhati by Devaki Pandit to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jevha Tichi Ni Mazi | Arun Date | D♭ Major | 2 | 3B | 116 BPM | ||
| Lajun Hasane | Hridaynath Mangeshkar | A Major | 3 | 11B | 150 BPM | ||
| Gaarva - Version 1 | Milind Ingle | A Minor | 4 | 8A | 141 BPM | ||
| Keshava Madhava Tuzya Naamaat Re Godava | Suman Kalyanpur | F♯ Minor | 2 | 11A | 102 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Woh To Hai Albela | Jatin-Lalit, Kumar Sanu, Devaki Pandit | D Minor | 5 | 7A | 123 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Hich Amuchi Praarthana | Mugdha Vaishampain, Ajit Parab | E Major | 3 | 12B | 110 BPM | ||
| Do Dilon Ko Aise Mila Le | Nitin Mukesh, Preeti Sagar | G Major | 6 | 9B | 120 BPM | ||
| Sharanagatam Samarpanam | Devaki Pandit | G Major | 1 | 9B | 98 BPM | ||
| Bharla Abhal Pavasali | Devaki Pandit | A♭ Major | 7 | 4B | 77 BPM | ||
| Phir Bhorr Bhaiyee Jaghaa | Devaki Pandit | F Major | 6 | 7B | 93 BPM | ||
| Annapurna Stotram | Ravindra Sathe, Devaki Pandit | A Minor | 4 | 8A | 120 BPM | ||
| Vyarth He Sarech Taho | Sandeep Khare, Salil Kulkarni | F Major | 6 | 7B | 90 BPM | ||
| Nadir Paare Uthchhe Dhonya | R. D. Burman | A♭ Major | 3 | 4B | 128 BPM | ||
| Dil Se Dil Tak Baat Pahunchi | Sonu Nigam | B Minor | 4 | 10A | 142 BPM | ||
| Dil Hoom Hoom Kare - Male Version | Bhupen Hazarika | F♯ Major | 5 | 2B | 100 BPM | ||
| Jagadambike | Devaki Pandit | C Major | 5 | 8B | 82 BPM | ||
| Rajas Sukumar Madanacha Putala | Bhimsen Joshi | A Major | 4 | 11B | 149 BPM | ||
| Shri Swami Samarth Tarak Mantra | Aarya Ambekar | E♭ Minor | 5 | 2A | 108 BPM | ||
| Dikri Mari Ladakvayee | Manhar Udhas | D♭ Minor | 4 | 12A | 98 BPM | ||
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Lingobacha Dongur | Ravindra, Chandrakant Kale | G Major | 5 | 9B | 123 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM |