The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra Song Details

"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra had its release date on 1958. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Ritual Action of the Ancestors (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 15%
Loudness: -36.008 dB
Acousticness: 92%
Danceability: 25%
Energy: 0%
Instrumentalness: 1%
Liveness: 7%
Loudness: 40%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung	Gustav Mahler, Leonard Bernstein, New York Philharmonic	B Minor	0	10A	112 BPM
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The Rite of Spring, K15, Pt. 1: IV. Spring Rounds	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	1	3A	64 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre de Paris, Semyon Bychkov	F Major	0	7B	92 BPM
Apollo (1947 revision): Tableau II: Apollo's Variation	London Symphony Orchestra, Robert Craft	E Minor	0	9A	60 BPM
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	B♭ Major	1	6B	153 BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version)	Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra	B♭ Minor	6	3A	133 BPM
The Four Sections: I. Strings (With Winds and Brass)	Steve Reich, London Symphony Orchestra, Michael Tilson Thomas	F♯ Major	1	2B	72 BPM
Apollon musagète, "Apollo": Pas de deux: Apollo and Terpsichore	London Symphony Orchestra, Robert Craft	C Major	0	8B	53 BPM
Turangalîla Symphonie: 1. Introduction	Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E♭ Minor	4	2A	143 BPM
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto	Edward Elgar, London Symphony Orchestra, Sir Colin Davis	D Major	1	10B	128 BPM
Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft	Paul Hindemith, Leonard Bernstein, New York Philharmonic	B♭ Major	3	6B	92 BPM
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Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): I. Act I. Opening - Interlude 1 - Interlude 2	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	D Minor	0	7A	141 BPM
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The Planets, Op. 32: VI. Uranus, the Magician	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	110 BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	D♭ Major	1	3B	74 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 25, Entr'acte	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	D♭ Major	0	3B	81 BPM
Billy the Kid Suite: III. Mexican Dance and Finale	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Major	3	8B	141 BPM