Lawrence Skrobacs, Alan Baker's ' "We Are Coming, Father Abra'am" was released on its scheduled release date, January 1, 1976. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Songs of the Civil War". In this album, this song's track order is #3. The popularity of We Are Coming, Father Abra'am is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With We Are Coming, Father Abra'am by Lawrence Skrobacs, Alan Baker having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Montes populi plaudite (salmo 46) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| H.leute | Horst Wessel | C Major | 3 | 8B | 182 BPM | ||
| Angels' Visits | Claude Melnotte, Harmoneion Singers, Kathleen Battle, Lawrence Skrobacs | A♭ Major | 0 | 4B | 70 BPM | ||
| Bellini: I puritani: "Ad Arturo onore" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Don Carlo: "Per me guinto - O Carlo ascolta" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 79 BPM | ||
| Le Rossignol des lilas | Reynaldo Hahn, Susan Graham | A♭ Major | 1 | 4B | 70 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| The Legend Of Twelve Robbers | "The Orthodox Singers" Male Choir, Georgiy Smirnov | G Major | 1 | 9B | 136 BPM | ||
| Songs of Travel: Whither must I wander? | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | C Minor | 1 | 5A | 117 BPM | ||
| The Salley Gardens | Benjamin Britten, Karla Haltenwanger, Andrè Schuen | B♭ Major | 1 | 6B | 74 BPM | ||
| Frühlingslaube D 686 | Franz Schubert, Yvonne Kenny, Lawrence Skrobacs | C Major | 2 | 8B | 93 BPM | ||
| Fauré: 5 Mélodies de Venise, Op. 58: No. 5, C'est l'extase | Gabriel Fauré, Camille Maurane, Lily Bienvenu | B♭ Major | 0 | 6B | 48 BPM | ||
| Six Choral Folk Songs, H.136 (1995 - Remaster): 1. I sowed the seeds of love | Gustav Holst, Baccholian Singers of London | D Major | 2 | 10B | 137 BPM | ||
| Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
| An | RECUERDO | C Major | 2 | 8B | 93 BPM | ||
| Battle Hymn of the Republic | Elizabeth Knight, The Harvesters | E♭ Major | 1 | 5B | 110 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Mascagni: Cavalleria rusticana: Easter Hymn. "Regina coeli laetare" | Pietro Mascagni, Helen Field, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Paul Griffiths | E♭ Major | 2 | 5B | 125 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Liberation's Song | Alexandrov Red Army Choir | G Minor | 2 | 6A | 147 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| De donde venis, amore ? | Joaquín Rodrigo, Yvonne Kenny, Lawrence Skrobacs | C Major | 2 | 8B | 93 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM |