Luc Devos's 'Waltz in C-sharp minor, Op. 64: N°2' had a release date set for January 11, 2010. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Waltz in C-sharp minor, Op. 64: N°2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waltz in C-sharp minor, Op. 64: N°2 by Luc Devos having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriccio italien, Op. 45, TH. 47 | Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 3 | 3B | 131 BPM | ||
| Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
| Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
| Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
| Morceaux égoïstes: Andante malinconico pour piano, V. 91 | Guillaume Lekeu, Luc Devos | E♭ Minor | 1 | 2A | 109 BPM | ||
| Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
| Hungarian Rhapsody No. 2 in C sharp minor, S.244 | Franz Liszt, Michele Campanella | D♭ Major | 1 | 3B | 101 BPM | ||
| Simple Waltz - VRT Muziek Edition | Frédéric Devreese, Luc Devos | F Minor | 2 | 4A | 116 BPM | ||
| Gymnopédie N°1 | Yuli Lavrénov | G Major | 0 | 9B | 65 BPM | ||
| Moment musical No. 3, Op. 94 | Franz Schubert, Tristan Pfaff | C Minor | 3 | 5A | 124 BPM | ||
| Romances sans paroles, Op. 7: I. Andante | Henri Vieuxtemps, Philippe Koch, Luc Devos | D♭ Major | 1 | 3B | 95 BPM | ||
| Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
| Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 | Sylvia Capova | D♭ Minor | 1 | 12A | 68 BPM | ||
| Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | F Major | 1 | 7B | 81 BPM | ||
| Don Quixote: Act I: Scene of the Toreadors | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 128 BPM | ||
| Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
| Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
| Trio for Horn, Clarinet, & Piano in B-Flat Major, Op. 274: II. Andante | Luc Van Marcke, Olivier Dartevelle, Luc Devos | G Major | 0 | 9B | 74 BPM | ||
| Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
| Les saisons (The Seasons), Op. 37b: II. February: Carnival | Ilya Rachkovsky | E Major | 1 | 12B | 131 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| La Danza (Tarantella napoletana) (Arr. Liszt, S. 424/9) | Gioachino Rossini, Tristan Pfaff | F Major | 5 | 7B | 134 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM |