"4 Short Pieces for Violin & Piano, H. 104: 4 Short Pieces: No. 2: Spring Song (Version for cello and piano)" by Frank Bridge, Steven Isserlis, Stephen Hough had its release date on April 1, 2006. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 4 Short Pieces for Violin & Piano, H. 104: 4 Short Pieces: No. 2: Spring Song (Version for cello and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 30 in Children's Cello by Steven Isserlis, Stephen Hough. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, 4 Short Pieces for Violin & Piano, H. 104: 4 Short Pieces: No. 2: Spring Song (Version for cello and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Short Pieces for Violin & Piano, H. 104: 4 Short Pieces: No. 2: Spring Song (Version for cello and piano) by Frank Bridge, Steven Isserlis, Stephen Hough is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM | ||
| Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
| Waldszenen, Op. 82: No. 3, Einsame Blumen | Robert Schumann, Martin Helmchen | B♭ Major | 0 | 6B | 80 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| 10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
| Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | B♭ Major | 0 | 6B | 84 BPM | ||
| Piano Concerto in A Minor, Op. 7: Romanze. Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | ||
| Irish Lament | Ernest John Moeran, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 131 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
| Les noces de Jeanette: Air du rossignol (Arr. Pierre for Flute & Orchestra) | Victor Massé, Patrick Gallois, Richard Friedman, Fabrice Pierre, London Festival Orchestra, Ross Pople | A♭ Major | 1 | 4B | 135 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
| Love Went A-Riding, H. 115 | Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales, Philip Langridge | F♯ Minor | 1 | 11A | 68 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
| Salut d'amour, Op. 12 (Arr. for Cello & Piano by Anonymous) | Edward Elgar, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Six Songs for Cello and Piano: 4. Wiegenlied, Op. 49 No. 4 (Arr. for cello and piano) | Johannes Brahms, Emmanuelle Bertrand, Pascal Amoyel | F Major | 0 | 7B | 116 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM |