Arthur Sullivan, Gillian Knight, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's '37. This polite attention' had a release date set for January 1, 2011. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 37. This polite attention's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 16 out of 456. Based on our statistics, 37. This polite attention's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of 37. This polite attention by Arthur Sullivan, Gillian Knight, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Love Is Like a Red, Red Rose | Kenneth McKellar | D♭ Major | 2 | 3B | 166 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Francisco Araiza, Peter Menzel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | D Major | 1 | 10B | 125 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| 7. Oh, is there not one maiden breast | Arthur Sullivan, Valerie Masterson, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | D♭ Major | 1 | 3B | 100 BPM | ||
| Die Lombarden: O Signore, dal tetto natio | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 1 | 8B | 80 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| The Mikado / Act 1: 19. The hour of gladness is dead and gone | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 2 | 12B | 91 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: III. Rouse Thee, My Fainting Soul – Be Merciful, Be Gracious | Edward Elgar, David Butt Philip, Huddersfield Choral Society, The Orchestra Of Opera North, Martyn Brabbins | D Minor | 1 | 7A | 93 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| Trial by Jury: Song. Oh, Gentleman, Listen I Pray | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Barry Banks | D Major | 2 | 10B | 70 BPM | ||
| The Yeomen of the Guard / Act 2: "A man who would woo a faie maid" | Arthur Sullivan, Kurt Streit, Sylvia McNair, Thomas Allen, Jean Rigby, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 67 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| La bohème, Act II: Chi l'ha richiesto? – Caro! – Fuori il danaro! | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Luciano Pavarotti, Rolando Panerai, Elizabeth Harwood, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 119 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Peter and the Wolf, Op. 67: IV. The Duck - Dialogue With the Birds - Attack of the Cat | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| 4. Oh, false one, you have deceived me | Arthur Sullivan, Christene Palmer, Philip Potter, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 71 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Broken Souls | wangyaolong | D Minor | 1 | 7A | 93 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM |