"Blue" by Graham Fitkin had its release date on December 12, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 12 in Fitkin: Hard Fairy by Graham Fitkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Blue is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Blue by Graham Fitkin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Sonata "To the Victims of Auschwitz": II. Epitaph. Andante teneramente | Agi Jambor, Sarah Cahill | C Minor | 2 | 5A | 105 BPM | ||
| I'm Such a Shallow Person | Graham Fitkin | B♭ Major | 5 | 6B | 128 BPM | ||
| Pacific Triptych (Version for Piano): I. Following the Sunrise | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Hard Fairy | Graham Fitkin, Nicolas Prost | C Major | 7 | 8B | 120 BPM | ||
| Glass | Graham Fitkin, Simon Haram, Duke Quartet | F♯ Minor | 0 | 11A | 166 BPM | ||
| Islandus: Solon II | Gabríel Ólafs, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Für Alina (Reprise) | Arvo Pärt, Alexander Malter | F♯ Minor | 0 | 11A | 80 BPM | ||
| 'Greetings', Miniaturas para Piano: 2 Palabras: 'Siempre Adelante' | Ana Vázquez Silva, Irene Cantos | D♭ Major | 1 | 3B | 92 BPM | ||
| Blue | Graham Fitkin | D Minor | 0 | 7A | 76 BPM | ||
| Dust Drifts Slowly | Elvar Noa | F♯ Minor | 0 | 11A | 166 BPM | ||
| Disturbance | Eydís Evensen | D♭ Minor | 2 | 12A | 116 BPM | ||
| Les enfants terribles - Arr. for Piano duet by Michael Riesman: 10. She Took The Path | Philip Glass, Katia & Marielle Labèque | E Major | 6 | 12B | 65 BPM | ||
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Plenilunium | Katrine Grarup Elbo | A♭ Major | 3 | 4B | 113 BPM | ||
| Overflow | Emilie Levienaise-Farrouch | F Major | 1 | 7B | 71 BPM | ||
| Ancient Feelings | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Jordan Spieth, Royal Philarmonic Cunes | A Major | 3 | 11B | 118 BPM | ||
| Roots - Oltrepassare I | Pietro Roffi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Between Seconds and Ages | Francesca Guccione | A Minor | 3 | 8A | 101 BPM | ||
| Variationen zur Gesundung von Arinuschka | Arvo Pärt, Anna Gourari | A Minor | 0 | 8A | 133 BPM | ||
| Trouble | Bounce Melody | B♭ Major | 0 | 6B | 62 BPM | ||
| Eiris, Sones | Nico Muhly, Adam Tendler | E Minor | 0 | 9A | 134 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| For Bunita Marcus (1985): page 4 | Morton Feldman, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Humble Beginnings | Rachel Grimes | E Minor | 0 | 9A | 117 BPM |