"Static: II. Ethereal" by Sebastian Currier, ÓNIX Ensamble, Alejandro Escuer had its release date on October 28, 2016. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Static: II. Ethereal's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Furia y Silencio by ÓNIX Ensamble, Alejandro Escuer. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. Static: II. Ethereal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Static: II. Ethereal by Sebastian Currier, ÓNIX Ensamble, Alejandro Escuer is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | A♭ Major | 1 | 4B | 196 BPM | ||
| Korngold: Piano Quintet in E Major, Op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | Erich Wolfgang Korngold, Alexander Mogilevsky, Alissa Margulis, Lucia Hall, Mark Drobinsky, Nora Romanoff-Schwarzberg | B♭ Minor | 0 | 3A | 68 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: II. Allegro appassionato | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Vexations - Variation 3 | Erik Satie, Jean-Marc Luisada | E Major | 0 | 12B | 102 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1) | Kevin Puts, Time For Three | B♭ Minor | 0 | 3A | 68 BPM | ||
| 12 Nocturnes: No. 1, Mignon - und die Sonne geht unter | Bent Sørensen, Katrine Gislinge | B♭ Minor | 0 | 3A | 68 BPM | ||
| 24 Preludes, Op. 11: No. 1, Vivace | Alexander Scriabin, Eva Gevorgyan | A Minor | 1 | 8A | 117 BPM | ||
| Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | ||
| Neon Trails | Nomad Skies | B♭ Minor | 0 | 3A | 68 BPM | ||
| Piesn Roksany - Transcription for violin and Piano: Paul Kochanski | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A Minor | 0 | 8A | 75 BPM | ||
| Concertino for Viola and Chamber Orchestra: III. Presto, Molto Ritmico | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | G Major | 1 | 9B | 87 BPM | ||
| Four Sketches, Op. 15: No. 1, In Autumn | Amy Beach, Claire Huangci | B♭ Minor | 0 | 3A | 68 BPM | ||
| Visions, Pt. 2 "Winter": Picture 4 | Tomasz Trzcinski | D♭ Major | 1 | 3B | 68 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Duos for Two Violins: No. 6, Bruno | Luciano Berio, Maria Milstein, Mathieu van Bellen | G Minor | 0 | 6A | 58 BPM | ||
| Játékok / 5.: 14. Preludium és Korál | György Kurtág | B Major | 0 | 1B | 76 BPM | ||
| Kinderszenen, Op. 15: XIII. Der Dichter spricht | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Godowsky: Triakontameron "30 Moods and Scenes": No. 25, Memories | Leopold Godowsky, Stephen Hough | E Minor | 0 | 9A | 84 BPM | ||
| String Quartet No. 6 in F Minor, Op. 80: III. Adagio | Felix Mendelssohn, Doric String Quartet | A♭ Major | 0 | 4B | 127 BPM | ||
| Etudes-tableaux, Op. 33: No. 2 in C Major. Allegro | Sergei Rachmaninoff, Steven Osborne | B♭ Minor | 0 | 3A | 64 BPM | ||
| Quartetset: I. Divided | Sebastian Currier, Muneko Otani, Jennifer Leshnower, Tawnya Popoff, Nicole Johnson | E Minor | 1 | 9A | 93 BPM |