"Three Orchestral Pieces, H. 18: No. 2, Chant d'esperance" by Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales had its release date on October 1, 2001. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 64 in Bridge: Orchestral Works, The Collector's Edition by Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales, Howard Shelley, Alban Gerhardt, Roderick Williams, Philip Langridge, Dame Sarah Connolly, BBC National Chorus of Wales. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Three Orchestral Pieces, H. 18: No. 2, Chant d'esperance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Orchestral Pieces, H. 18: No. 2, Chant d'esperance by Frank Bridge, Richard Hickox, BBC National Orchestra Of Wales is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
| Cantilena from Sonata No.11 in D minor, Op.148 | Josef Rheinberger, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | F Major | 1 | 7B | 90 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| La vie en rose (Arr. T. Poster for Violin & Piano) | Louis Guglielmi, Elena Urioste, Tom Poster | A Major | 2 | 11B | 77 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
| Si mes vers avaient des ailes (If my songs were only winged) [arr. J. Lloyd Webber for 2 cellos and piano] | Reynaldo Hahn, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | E♭ Major | 1 | 5B | 68 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | B♭ Major | 0 | 6B | 116 BPM | ||
| Salut d'amour, Op. 12 (Arr. for Cello and Piano by Julian Riem) | Edward Elgar, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 83 BPM | ||
| Romance in E-Flat Major, Op. 44, No. 1 | Anton Rubinstein, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E♭ Major | 1 | 5B | 61 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Hassan: Serenade (Arr. E. Fenby for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 110 BPM | ||
| Archangel's Lullaby | Howard Blake, Steven Isserlis, Stephen Hough | D Minor | 0 | 7A | 90 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Après un rêve | Gabriel Fauré, Charlie Siem, Paul Goodwin | G Minor | 1 | 6A | 97 BPM | ||
| Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
| Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
| Naive Music: No. 2, Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Minor | 0 | 3A | 73 BPM | ||
| Autumn, H.24 | Frank Bridge, Tenebrae, Nigel Short | D Major | 1 | 10B | 81 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150 (Arr. for Cello & Piano): No. 1, Allegro moderato | Antonín Dvořák, Daniel Müller-Schott, Robert Kulek | C Minor | 0 | 5A | 88 BPM |