"Autumn, H.24" by Frank Bridge, Tenebrae, Nigel Short had its release date on September 9, 2016. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Frank Bridge: Autumn, H.24 and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Autumn, H.24 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Autumn, H.24 by Frank Bridge, Tenebrae, Nigel Short is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Norse Legend (Arr. L. Jacobs for viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | D Minor | 1 | 7A | 65 BPM | ||
| Prelude | William Alwyn, Ashley Wass | G Minor | 0 | 6A | 169 BPM | ||
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
| The Lark | Mily Balakirev, Mikhail Glinka, Olga Scheps | B♭ Minor | 0 | 3A | 72 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Fantasia on Greensleeves (Arr. R. Greaves & W. Forbes for Cello & Piano) | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | C Minor | 0 | 5A | 130 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte No. 3, Andantino | Franz Schubert, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 0 | 6B | 69 BPM | ||
| Suite in D Minor, Op. 16b, R. 211: IV. Romance | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Major | 0 | 12B | 96 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 76 BPM | ||
| 5 Pieces for 2 Violins & Piano (After D. Shostakovich): No. 1, Prelude | Lev Atovmyan, Rudens Turku, Lena Neudauer, Yumiko Urabe | D Minor | 1 | 7A | 119 BPM | ||
| An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
| Pavane | Tim Thorpe | E Major | 1 | 12B | 57 BPM | ||
| 3 Small Tone Poems: No. 1, Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 71 BPM | ||
| Massenet: Thaïs, Act 2: Méditation (Version for Violin and Piano) | Jules Massenet, Min Kym, Gordon Back | D Major | 1 | 10B | 95 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| En nacelle | Henrique Oswald, Sergio Monteiro | F♯ Major | 0 | 2B | 117 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| 8 Russian Folk Songs: 6. Cradle Song | Anatoly Lyadov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 82 BPM |