"Them Apples" by Danny Elfman had its release date on December 29, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Danny Elfman's "Good Will Hunting (Original Motion Picture Score)" album is number 7 out of 21. On top of that, United States appears to be the country where this track was created. Them Apples is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Them Apples by Danny Elfman to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Theme | Danny Elfman | C Major | 0 | 8B | 78 BPM | ||
| Toad Path | Terry Davies, Betty O'Barley, Harry O'Hay | G Major | 3 | 9B | 118 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Journey to the Mountains | Barnaby Taylor | B Minor | 3 | 10A | 72 BPM | ||
| Bramasole | Christophe Beck | D Minor | 1 | 7A | 106 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Marian | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Rebecca | Ingo Ludwig Frenzel | F Major | 0 | 7B | 71 BPM | ||
| The Ohio River | Peter Breiner, Don Gillis | D Minor | 1 | 7A | 60 BPM | ||
| The High Road | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Two Cathedrals | W.G. Snuffy Walden | C Major | 1 | 8B | 77 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Aunt May Packs | Danny Elfman | F Major | 0 | 7B | 43 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Romantic Theme Pt. 2 | Siddhartha Khosla | D Minor | 1 | 7A | 113 BPM | ||
| In The End | David Scoony | E♭ Major | 2 | 5B | 70 BPM | ||
| Sarah And Karl Go Wrong - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| Trailer Park | David Shire | A♭ Major | 1 | 4B | 172 BPM | ||
| The Central Stables | Steffen Schmidt | G Major | 0 | 9B | 137 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| Betrayal | Danny Elfman, Artie Kane | G Major | 2 | 9B | 80 BPM | ||
| The Love Theme (From "Dance with Wolves" Soundtrack) | John Barry | G Major | 0 | 9B | 111 BPM | ||
| Leaving Jumanji | Henry Jackman | D Major | 1 | 10B | 170 BPM |