"For the Reach" by Jon Everist, Paradox Interactive had its release date on April 24, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 38 out of 48 in Battletech (Original Game Soundtrack) by Jon Everist, Paradox Interactive. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, For the Reach's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of For the Reach by Jon Everist, Paradox Interactive is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cave of Travis | Bill Brown | G Major | 5 | 9B | 107 BPM | ||
| Vanguard | Evan Rufh | D Major | 3 | 10B | 68 BPM | ||
| It's Done | Halo, Gordy Haab, Brian Trifon, Brian Lee White | A Minor | 10 | 8A | 121 BPM | ||
| Blood in the Foyada | Brad Derrick | F♯ Minor | 6 | 11A | 130 BPM | ||
| Tears of Glory | Simpolished | F♯ Minor | 6 | 11A | 80 BPM | ||
| 107% | Kaveh Cohen, Michael Nielsen | E Minor | 8 | 9A | 149 BPM | ||
| Lawgiver | Kevin Riepl | D Major | 6 | 10B | 90 BPM | ||
| Megalopolis | Dynamedion | F Minor | 8 | 4A | 110 BPM | ||
| For The Order! | J.D. Spears | D♭ Major | 4 | 3B | 120 BPM | ||
| Gift of an Axe | Funcom Soundtrack, Knut Avenstroup Haugen | C Major | 4 | 8B | 144 BPM | ||
| The End of War | Brendon Williams | D♭ Minor | 7 | 12A | 177 BPM | ||
| Crypt | Halo, Kazuma Jinnouchi | F♯ Minor | 0 | 11A | 65 BPM | ||
| The Line | Bear McCreary | G Minor | 5 | 6A | 90 BPM | ||
| Three Years Later | Jon Everist, Paradox Interactive, Emily Ridgway | D Minor | 2 | 7A | 135 BPM | ||
| Echoes of Bells Beneath a Crimson Moon (The Ravager) | Rob Westwood | B Minor | 2 | 10A | 125 BPM | ||
| Ochre Wall | Jon Everist, Paradox Interactive | E♭ Minor | 2 | 2A | 121 BPM | ||
| Rannsaka | Valkyrion | E♭ Major | 6 | 5B | 113 BPM | ||
| Against All Odds | Cris Velasco, Sascha Dikiciyan | G Minor | 5 | 6A | 104 BPM | ||
| Legacy of Ancients | Bill Brown | B♭ Major | 4 | 6B | 75 BPM | ||
| The BattleScene I | Arnaud Roy | E♭ Major | 5 | 5B | 96 BPM | ||
| Battledrums | Brad Derrick | G Major | 7 | 9B | 69 BPM | ||
| 通常戦闘 - ヴェルムント地方 | 木村華 | B♭ Major | 5 | 6B | 120 BPM | ||
| Glasstaff Fight | Lyre RPG Music | A Minor | 1 | 8A | 140 BPM | ||
| Valkyrie Run | Cris Velasco, Sascha Dikiciyan | F Major | 5 | 7B | 130 BPM | ||
| The Maelstrom | Vsevolod Borisov | B♭ Major | 6 | 6B | 92 BPM |