"Sinfonietta settecentesca, RZ 231" by Riccardo Zandonai, Orchestra da Camera di Trento, Giancarlo Guarino had its release date on July 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Sinfonietta settecentesca, RZ 231 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonietta settecentesca, RZ 231 by Riccardo Zandonai, Orchestra da Camera di Trento, Giancarlo Guarino having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Act II: Per Dio, gente poltrona (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Gianni Schicchi: E non c'è nessun mezzo... | Giacomo Puccini, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Minor | 1 | 5A | 114 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Cavalleria rusticana: Part I: Fior di giaggiolo (Lola, Turiddu, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 156 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Hana Minutillo | D Minor | 0 | 7A | 89 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
| Strauss, Johann II : Der Zigeunerbaron : Act 1 "So elend und so treu" [Saffi, Barinkay] | Johann Strauss II, Nikolaus Harnoncourt, Wiener Symphoniker | A Major | 0 | 11B | 125 BPM | ||
| Giulietta e Romeo, Act II: Son tornate le rondini, Giulietta (I Fanti) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Coro di Milano della RAI | A Major | 1 | 11B | 132 BPM | ||
| Giosta ! | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 1 | 10B | 90 BPM | ||
| Manon Lescaut, Act I: La tua Proserpina | Giacomo Puccini, Ramón Vargas, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 1 | 7B | 87 BPM | ||
| Semiramide, Act I Scene 8: Ah dov'e, dov'e il cimento? (Idreno) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | C Major | 1 | 8B | 81 BPM | ||
| Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
| Puccini: Tosca, Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| String Quartet in G Major: IV. Allegro | Riccardo Zandonai, Venice String Quartet | G Major | 1 | 9B | 90 BPM | ||
| Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
| Tosca, Act II: Quanto? Quanto? Il prezzo! | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
| Francesca da Rimini: No, Smaragdi, no! | Riccardo Zandonai, Franco Corelli, Renata Tebaldi, Orchestre de la Suisse Romande, Anton Guadagno | F♯ Major | 1 | 2B | 84 BPM |