Arghya Sen's 'Paadprante Rakho Sebake' had a release date set for April 13, 1990. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 2 out of 10 in Arghya Sen Pada Prante Rakho Sebake by Arghya Sen, Rabindranath Tagore. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Paadprante Rakho Sebake's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paadprante Rakho Sebake by Arghya Sen is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aga Nirguna Nishchala Tuch Re | Swapnil Bandodkar | B♭ Minor | 8 | 3A | 98 BPM | ||
| Sarada Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Sankatmochan Hanuman Ashtak | Rattan Mohan Sharma | A♭ Minor | 4 | 1A | 140 BPM | ||
| Prabho Maj Ekach Var Dhyava | Sudhir Phadke | D Major | 3 | 10B | 131 BPM | ||
| Ghatak Chilo Ke | Amrik Singh Arora | B Major | 5 | 1B | 113 BPM | ||
| Oi Malatilata Dole | Srabani Sen | F Minor | 3 | 4A | 145 BPM | ||
| Kai Aise Dasha | Dnyaneshwar Meshram | A Major | 5 | 11B | 80 BPM | ||
| Jaago Alasashayanabilagna | Hemanta Mukhopadhyay | F♯ Major | 3 | 2B | 149 BPM | ||
| Karunatripadi,Pt. 1 | R.N. Paradkar | D♭ Major | 3 | 3B | 93 BPM | ||
| Sobai Dake Baul Bole | Sanajit Mondal | F♯ Minor | 5 | 11A | 153 BPM | ||
| Kiti Belachi Aawdi | Ajit Kadkade | B♭ Major | 6 | 6B | 112 BPM | ||
| Amar Mon Mane Na | Mita Chatterjee, Rabindranath Tagore | D Major | 1 | 10B | 129 BPM | ||
| Jagate Ananda Yogge | Mita Chatterjee, Rabindranath Tagore | C Major | 2 | 8B | 122 BPM | ||
| Ei Je Tomar Prem | Indrani Sen | F Major | 4 | 7B | 160 BPM | ||
| Kalo Meyer Payer Tolaaye | Pannalal Bhattacharya | A♭ Major | 2 | 4B | 140 BPM | ||
| Jadi Tor Dak | Srikanta Acharya | C Major | 6 | 8B | 131 BPM | ||
| Amay Karuna Karo Maa | Dhananjay Bhattacharya | E Minor | 4 | 9A | 120 BPM | ||
| Alo Aamar Alo | Indrani Sen | B♭ Major | 5 | 6B | 145 BPM | ||
| Dino Bhakte Dekha Dao | Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 153 BPM | ||
| Katobar Bhebechhinu Apona Bhuliya (1885) | Swagatalakshmi Dasgupta | E Major | 3 | 12B | 114 BPM | ||
| Hatir Dnater Palangka Tor | Parikshit Bala | A Major | 3 | 11B | 63 BPM | ||
| O Boner Dubba Re | Paromita, Ipshita, Shweta | F Major | 3 | 7B | 173 BPM | ||
| Aamar Sadh Na Mitilo | Suvankar Vaskar | C Major | 6 | 8B | 120 BPM | ||
| Aarti Datta | Vishnubua Vavnjekar | F Minor | 7 | 4A | 93 BPM | ||
| Ei Lobhinu Sango Tabo | Srikanta Acharya | F♯ Major | 3 | 2B | 122 BPM |