"Flos campi: VI. Pone me ut signaculum super cor tuum." by Ralph Vaughan Williams, Richard Hickox, Royal Northern Sinfonia, Philip Dukes, Northern Sinfonia Chorus had its release date on August 1, 1995. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Riders to the Sea, Flos Campi & Household Music by Ralph Vaughan Williams, Richard Hickox, Royal Northern Sinfonia, Linda Finnie, Karl Morgan Daymond, Lynne Dawson, Ingrid Attrot, Pamela Helen Stephen, Philip Dukes. The song's track number on the album is #19 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Flos campi: VI. Pone me ut signaculum super cor tuum. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Flos campi: VI. Pone me ut signaculum super cor tuum. by Ralph Vaughan Williams, Richard Hickox, Royal Northern Sinfonia, Philip Dukes, Northern Sinfonia Chorus has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Flos campi: VI. Pone me ut signaculum super cor tuum. being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Lullaby for string orchestra | George Gershwin, The Cleveland Orchestra, Riccardo Chailly | G Major | 0 | 9B | 94 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Major | 0 | 3B | 97 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | ||
| The Swan of Tuonela, Op. 22 No. 2 | Jean Sibelius, Gerhard Stempnik, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 86 BPM | ||
| Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Norfolk Rhapsody No. 1 | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM |