"Requiem: VI. The Lord Is My Shepherd" by John Rutter, Aurora Orchestra, The Cambridge Singers, Thomas Barber had its release date on October 28, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Rutter, Aurora Orchestra, The Cambridge Singers's "John Rutter: Visions & Requiem" album is number 10 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Requiem: VI. The Lord Is My Shepherd's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: VI. The Lord Is My Shepherd by John Rutter, Aurora Orchestra, The Cambridge Singers, Thomas Barber to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
| Abide with Me | William Henry Monk, Norwich Cathedral Choir, Simon Johnson, Neil Taylor | F Major | 2 | 7B | 79 BPM | ||
| Requiem in D Minor, Op. 48: V. Agnus Dei | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| Christ the Lord Is Risen Today | lyra Davidica, John Rutter, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | D♭ Minor | 0 | 12A | 77 BPM | ||
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | ||
| 3 Latin Motets, Op. 38: No. 1, Justorum animae | Charles Villiers Stanford, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 65 BPM | ||
| Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
| Christus factus est pro nobis | Felice Anerio, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 95 BPM | ||
| Abide With Me (Arr. Julian Lee) | William Henry Monk, Julian Lee, Vladimir Kamirski, Melbourne Symphony Orchestra, Yvonne Kenny | A Minor | 2 | 8A | 95 BPM | ||
| O Sacrum Convivium, I/18 | Olivier Messiaen, The Cambridge Singers, John Rutter | F♯ Major | 0 | 2B | 68 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Jerusalem | Hubert Parry, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | D Major | 2 | 10B | 133 BPM | ||
| A Choral Amen | John Rutter, The Cambridge Singers | E Major | 1 | 12B | 71 BPM | ||
| Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 0 | 7B | 129 BPM | ||
| O Nata Lux | Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | C Major | 0 | 8B | 139 BPM | ||
| Jesu Lover of My Soul | Huddersfield Choral Society | F Minor | 1 | 4A | 124 BPM | ||
| Prelude a l'apres-midi d'un faune, L. 86a, CD 87a: Prélude à l'après-midi d'un faune, L. 86a, CD 87a | Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra | B♭ Minor | 0 | 3A | 80 BPM |