Francisco Canaro Y Su Orquesta Tipica's ' "Amor Y Primavera" was released on its scheduled release date, January 1, 1979. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francisco Canaro Y Su Orquesta Tipica's "Los Indispensables De Canaro" album is number 3 out of 12. On top of that, Argentina appears to be the country where this track was created. The popularity of Amor Y Primavera is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Amor Y Primavera by Francisco Canaro Y Su Orquesta Tipica to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viejo Portón | Pablo Valle Sexteto | A♭ Major | 4 | 4B | 114 BPM | ||
| Felicia | Bandonegro | E Minor | 2 | 9A | 105 BPM | ||
| Garúa | Pedro Laurenz, Alberto Podestá | A Major | 4 | 11B | 105 BPM | ||
| Ilusión De Mi Vida - Instrumental | Horacio Salgán | A Minor | 5 | 8A | 102 BPM | ||
| Una noche de Tokyo | Florindo Sassone Y Su Orquesta | G Major | 4 | 9B | 114 BPM | ||
| El Tigre Millán | Ernesto Fama, Francisco Canaro Y Su Orquesta Tipica | D♭ Major | 2 | 3B | 120 BPM | ||
| Rosas Negras | Francisco Lomuto, Fernando Diaz | F Major | 4 | 7B | 107 BPM | ||
| Inspiracion | Francisco Canaro Y Su Orquesta Tipica | C Major | 2 | 8B | 134 BPM | ||
| El Amanecer | Orquesta Tipica Buenos Aires | G Major | 3 | 9B | 128 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Madreselva | Francesco Canaro, Francisco Canaro Y Su Orquesta Tipica | E Major | 2 | 12B | 125 BPM | ||
| Poema | Francisco Canaro | B Major | 3 | 1B | 126 BPM | ||
| Organito de la Tarde | Francisco Canaro Y Su Orquesta Tipica | G Major | 2 | 9B | 126 BPM | ||
| A La Gran Muñeca | Orquesta Tipica Buenos Aires | D Minor | 3 | 7A | 120 BPM | ||
| El Andariego | Alfredo Gobbi | A Major | 4 | 11B | 105 BPM | ||
| La Cumparsita | Jose Basso | G Minor | 2 | 6A | 129 BPM | ||
| Reliquias Porteñas | Francisco Canaro Y Su Orquesta | A Major | 4 | 11B | 128 BPM | ||
| Delirio de la milonga | Hyperion Ensemble | E Minor | 4 | 9A | 102 BPM | ||
| El portenito | Ángel Villoldo, Trio Hugo Diaz | D Major | 3 | 10B | 119 BPM | ||
| Paisaje | Pedro Laurenz, Alberto Podestá | A Major | 4 | 11B | 105 BPM | ||
| Zona de riesgo | Fabio Hager Sexteto | C Minor | 5 | 5A | 135 BPM | ||
| Cacareando | Orquesta Tipica Victor, Carlos de la Fuente | E Major | 4 | 12B | 95 BPM | ||
| Orillera | Quinteto Pirincho | C Major | 6 | 8B | 109 BPM | ||
| Belgica | Rodolfo Biagi Y Su Orquesta Tipica | C Minor | 2 | 5A | 134 BPM | ||
| Estrella | Orquesta Rodolfo Biagi, Hugo Duval, Marcelino Hernandez, Roberto Cassinelli | A Minor | 3 | 8A | 120 BPM |