Steve Reich, Ensemble Links, Rémi Durupt's 'Music for 18 Musicians (1976): Section V' had a release date set for September 1, 2020. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Steve Reich: Music for 18 Musicians". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Austria. Music for 18 Musicians (1976): Section V is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Music for 18 Musicians (1976): Section V by Steve Reich, Ensemble Links, Rémi Durupt having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Love Song | Pauline Oliveros | A Major | 0 | 11B | 75 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| The Desert Music: Second Movement (Moderate) | Steve Reich, Brooklyn Philharmonic, Michael Tilson Thomas | F♯ Major | 4 | 2B | 123 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| Dance PM | Hiroshi Yoshimura | F Major | 1 | 7B | 128 BPM | ||
| The Unquestioned Answer | Laurie Spiegel | A♭ Major | 0 | 4B | 71 BPM | ||
| Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
| Chrome Country | Oneohtrix Point Never | E♭ Major | 3 | 5B | 75 BPM | ||
| Yulquen | Autechre | A Minor | 1 | 8A | 148 BPM | ||
| The Dance No. 2 | Laraaji, Brian Eno | B Minor | 8 | 10A | 112 BPM | ||
| Light Is Calling | Michael Gordon | A♭ Major | 3 | 4B | 84 BPM | ||
| The Piano Drop | Tim Hecker | D♭ Minor | 9 | 12A | 114 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Replica | Oneohtrix Point Never | E♭ Major | 2 | 5B | 83 BPM | ||
| The Cave, Act I Scene 12: Machpelah Commentary | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | C Minor | 0 | 5A | 119 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| Space 1 | Nala Sinephro | G Minor | 1 | 6A | 114 BPM | ||
| Avalokiteshvara (Music for Harp) - 1964 | Lou Harrison, Floraleda Sacchi | F Minor | 1 | 4A | 142 BPM | ||
| Tower | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 81 BPM | ||
| Fifth Worship II | Kali Malone | F♯ Major | 0 | 2B | 68 BPM | ||
| Music for 18 Musicians (modular version): Section II | Steve Reich, Ensemble Signal | A Major | 5 | 11B | 110 BPM | ||
| Music for 18 Musicians: Section X | Steve Reich | F♯ Minor | 6 | 11A | 111 BPM | ||
| Glassworks: IV. Rubric | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 6 | 5B | 95 BPM | ||
| Snowy Night Tale | Masayoshi Fujita | A♭ Minor | 1 | 1A | 95 BPM | ||
| Nature Piece 4 | Morton Feldman, Sabine Liebner | D♭ Major | 1 | 3B | 69 BPM |