- BPM
- 69
- Key
- D Minor
- Camelot
- 7A
HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran) by Arthur Sullivan, Monica Sinclair/John Cameron/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra Song Details
Arthur Sullivan, Monica Sinclair/John Cameron/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's ' "HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran)" was released on its scheduled release date, March 1, 2000. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 71 in the song's album "The Gilbert & Sullivan Collection". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
With HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Things are seldom what they seem (Buttercup, Captain Corcoran) by Arthur Sullivan, Monica Sinclair/John Cameron/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.744 dB
- Acousticness
- 85%
- Danceability
- 65%
- Energy
- 33%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 14%
- Valence
- 59%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | |
 | Onward Christian Soldiers | Sabine Baring-Gould, Arthur Sullivan, Salisbury Cathedral Choir, Simon Lole | E♭ Major | 2 | 5B | 170 BPM | |
 | Owens: Desire Song Cycle: Desire | Robert Owens, Lawrence Brownlee | F♯ Major | 3 | 2B | 92 BPM | |
 | Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | |
 | Donizetti: L'elisir d'amore, Act 1: "Della crudele Isotta" (Adina, Coro, Giannetta, Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Angela Arena, Coro dell'Opera di Roma, Mirella Freni, Nicolai Gedda, Orchestra dell'Opera di Roma | B♭ Major | 4 | 6B | 87 BPM | |
 | Lehár: La veuve joyeuse, Act I: Finale. "Cotillon, c'est l'heure du cotillon" - "C'est la valse, écoutez" | Franz Lehár, Yvon Leenart, André Mallabrera, Christos Grigoriou, Choeurs Rene Duclos, Jean Christophe Benoit, Michel Dens, Micheline Dax, Suzanne Lafaye, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 1 | 10A | 97 BPM | |
 | Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | |
 | Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | |
 | The Sorcerer / Act 1: My name is John Wellington Wells | Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 135 BPM | |
 | Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | |
 | Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | |
 | Article | RECUERDO | D Major | 3 | 10B | 111 BPM | |
 | Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | |
 | Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | |
 | Die Fledermaus, Act II: No. 11a, Finale. Herr, Chevalier, ich grüsse Sie! | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | |
 | Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | G Major | 1 | 9B | 122 BPM | |
 | H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen! | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans | F Major | 2 | 7B | 176 BPM | |
 | Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | |
 | Trial by Jury: Sextet and Chorus. A Nice Dilemma We Have Here | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | |
 | Cox and Box: Serenade. The Buttercup (Cox, Box) | Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Neal Davies, James Gilchrist | B♭ Major | 1 | 6B | 151 BPM | |
 | Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | |
 | La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | |
 | Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | |
 | Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM |
- ISRC
- GBAYD8700158
- Label
- L-M Records/RCA Records